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Motorcycle Speakers and Big Bass – A Match Not Made in Heaven

Motorcycle Speaker

We were recently talking with the owner of a motorcycle audio manufacturer. He mentioned that consumers seem to struggle with the concept that relatively small motorcycle speakers cannot produce large amounts of bass. In this context, a small speaker is something you’d find in the fairing or saddlebag on a motorcycle. By comparison, a large speaker would be an 8- or 10-inch subwoofer. Let’s look at how speakers work to explain why some are good for bass and others are best for midrange applications.

Speaker Design – Subwoofer or Midrange

This article will discuss 6.5-inch speakers, common in cars, trucks, motorcycles and boats. Let’s examine the predicted output response of two popular 6.5-inch speakers. The yellow trace is a JL Audio 6W3v3 subwoofer and the red is a Cicada Audio CX65.4 motorcycle audio midrange driver. We chose these drivers because their Thiele/Small parameters are readily available.

Motorcycle Speaker
Predicted frequency response of a Cicada Audio CX65.4 in red and a JL Audio 6W3v3 in yellow.

Throughout this article, we’ll unravel a few critical things about this simulation. The response graph you see here isn’t accurate below 100 hertz. Don’t fret; we’ll explain.

Frequency Response Considerations

The first data we want to analyze from the graph is the difference in midrange output. The Cicada Audio speaker (in red) shows good output through most of the audible range. The JL Audio subwoofer starts to roll off its output above 200 hertz.

First, we must clarify a crucial design decision for a speaker that plays a range of frequencies compared with a driver designed exclusively for bass duties. We’ll start with the mass of the woofer cone. The cone must be relatively light for a speaker to respond to signals up to 8 or 10 kHz. A midrange driver might have a moving mass specification of 10 to 15 grams. This would include the cone’s mass, the voice coil former and winding, half of the surround and half of the spider.

The moving mass specification for a subwoofer might be 50 grams. The increased mass adds inertia, making the cone harder to accelerate. The motor (voice coil winding and magnet) won’t be able to move the cone back and forth at high frequencies.

Motorcycle Speaker
The Cicada Audio CX65.4 is a high-efficiency coaxial midrange driver for motorcycles.

Voice Coil Inductance

The second item that affects high-frequency output is voice coil inductance. We’ve explained that an inductor opposes changes in current flow. For alternating current audio signals, high frequencies change direction thousands of times a second.

A speaker must have a large voice coil to handle large amounts of power. A large voice coil has more inductance and attenuates high-frequency information. The Cicada Audio midrange shown here has a voice coil inductance of 0.03 millihenry. The JL Audio 6W3v3 subwoofer has a voice coil inductance of 1.388 mH. This is logical, given that the winding is at least twice as long and likely has multiple layers.

We Need to Move Air

To reproduce low-frequency information, we need to move a significant amount of air. This means that a speaker needs a considerable amount of cone excursion capability. The Cicada driver, designed primarily for midrange duties, has a voice coil overhand-derived Xmax specification of 4 millimeters. On the other hand, the JL Audio subwoofer has an Xmax specification of 8.89 millimeters.

Let’s multiply those numbers by the effective cone area specification to see how much air the drivers can move. The Cicada can theoretically move 44.8 cubic centimeters of air, while the JL Audio subwoofer can move 107.48, which is 2.4 times as much.

Motorcycle Speaker
The JL Audio 6W3v3 subwoofer offers impressive excursion and low-frequency output capabilities for a relatively small driver.

Excursion Limits

Here’s where the frequency response chart above runs into an issue. The graph shows the drivers’ output when fed with 100 watts of power. We must also model the cone excursion behavior to understand a speaker’s suitability for a specific situation.

Motorcycle Speaker
Cone excursion versus frequency for our 6.5-inch speakers. Cicada Audio is in red, and JL Audio is in yellow.

The yellow trace shows us that the subwoofer cone doesn’t move as much for a given amount of power. This correlates back to its mass. However, the 8.89-millimeter Xmax specification tells us the driver will work fine down to just above 30 hertz at this power level. Below that frequency, there will be physical power handling problems.

The Cicada Audio driver is much more efficient. Much of this efficiency comes from the lower moving mass. This is achieved with a much lighter cone and shorter voice coil. Being limited to 4 millimeters of excursion shows that the driver cannot safely play audio frequencies below 100 Hz at a power level of 100 watts.

A drawback for use in another application often offsets every decision in designing a speaker for a specific application. A tweeter won’t produce bass, and a subwoofer won’t produce high frequencies. Midrange drivers might not make much bass or high-frequency information.

No Transfer Function

Now, specific to a discussion about motorcycle audio and powersports speakers, we’re at a considerable disadvantage compared with a car or truck because we don’t have an enclosed vehicle that offers some gain. The interior of a car or truck provides a significant bass boost. In fact, 20 to 30 dB of boost at frequencies below 30 hertz isn’t uncommon. There’s usually 10 dB of boost at 50 Hz. We call this effect cabin gain.

Even a moderately capable small speaker can reproduce a reasonable amount of low-frequency energy in a vehicle. The same happens in our homes. A single good-quality 12-inch subwoofer with 500 or 600 watts of power in a home theater system can give your couch or chair a good shake. It takes dozens of 15- or 18-inch subwoofers and thousands of watts of power at an outdoor concert to reproduce those frequencies at the same volume level.

Motorcycle Speaker
The cabin of a vehicle or room boosts bass frequencies to make them easier to hear. The approximate gain is based on JBL/Harman data.

We lack this gain when creating an audio system for a boat, motorcycle or side-by-side. This means our small speakers are on their own to produce usable amounts of bass information. If we want to reproduce bass, we need speakers that can move a significant amount of air. We also likely want to hear vocals and instruments.

Our little circle of performance, however, makes this almost impossible. We need a driver with a large motor and cone assembly to move a lot of air. A large motor assembly is heavy. Heavy cones can’t respond to high-frequency information.

What’s the Solution if We Want Bass?

The answer to getting bass on your motorcycle, boat or side-by-side is to add a subwoofer. It’s not going to rumble like the same-size driver in a car, but it will fill in a lot of the information below 150 hertz. Crucially, having a subwoofer means the small speakers don’t need to try to reproduce bass information. They can focus on midrange frequencies, which means they’ll need a lot less power and will sound much better.

Motorcycle Speaker
If you have a Harley-Davidson motorcycle and want great bass, Rockford Fosgate’s HD14-SBSUB subwoofer system is a great solution.

Is One of These Speakers Better Than the Other?

Before anyone thinks that the Cicada Audio or JL Audio speaker is better than the other, we’ll make it perfectly clear that each is designed for a different application. Which is better, a snowmobile or a top-fuel dragster? One is likely better than the other if you are in Alaska. It depends on what you’re trying to do.

The reality is that each speaker is designed for a specific application. JL Audio has many high-performance midrange speakers to accompany its subwoofers. Likewise, Cicada Audio has several woofers designed for motorcycle applications. Choosing the right speaker for your needs is the key to creating a mobile audio system that sounds great. Drop by a local specialty mobile enhancement retailer today and ask them for suggestions about speakers for upgrading your vehicle. Let them know your performance goals, and they’ll design a solution that will sound great!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: Motorcycle Audio, ARTICLES, RESOURCE LIBRARY

Product Spotlight: Mosconi Pro 4|30

Mosconi Pro 4|30

There are hundreds, if not thousands, of different options available when picking an amplifier for your car audio system. Some amplifiers focus on offering a diminutive footprint to simplify installation but sacrifice thermal stability. Others concentrate on producing prodigious amounts of power at the expense of audio signal purity. Mosconi’s Pro series amplifiers were designed to be reliable and sound great. Let’s look at the Pro 4|30 four-channel amp in this Product Spotlight.

Mosconi Pro 4|30 Specifications

As mentioned, the Mosconi Pro 4|30 is a four-channel amp that’s rated to produce 170 watts of power per channel when driving four-ohm loads. Output power increases to 225 watts per channel with two-ohm loads. Each pair of stereo channels can be bridged to drive a single four-ohm load and provide it with 450 watts of power. Mosconi states that the amp has a signal-to-noise ratio of -83 dBA, referencing one watt of power.

The amplifier chassis measures a robust 500 by 205 by 55 millimeters, or 19.7 inches long, 8.07 inches wide and 2.18 inches tall. The chassis design is unique in that the front and rear halves of the amp are wrapped in vertical aluminum plates. The rear third of the amp is mostly a finned heatsink with two cooling fans mounted on top. The center and bottom thirds of the amp conceal the circuit board.

Mosconi Pro 4|30
The Pro 4|30 has a unique chassis design.

Amplifier Connections and Features

All the power, signal, and speaker connections are made along the front edge of the amp using integrated terminal blocks. The hex-head set screws for the connections are accessible through openings in the top panel. An easily replaceable 150-amp mini-ANL fuse accessible from the top protects the amp from wiring mishaps.

The four sets of speaker connections are just to the left of the center of the chassis. Once again, terminal blocks with set screws accessible from the top of the amp ensure a reliable connection. Installers should pay close attention to the polarity labels, as the adjacent channels are inverted when viewed left to right.

Finally, on the left side of the amp, we find the input for the optional RTC remote level control and two sets of RCA input jacks.

Mosconi Pro 4|30
All connections are made along the front edge of the amp to keep the installation tidy.

Audio Processing Options

While the Pro 4|30 may look simple at first glance, it’s got all the features your installer will need to extract excellent performance from your speakers. The settings for Input A and Input B are once again accessible from the top panel and located at the amp’s far left end. The amp can accept audio signals from 350 millivolts up to 12 volts. The amp has a button that enables the high-level input range. When the high-level input is activated, the amp monitors the input for the presence of the BTL offset voltage and activates the amp automatically when detected. A Direct DSP (DDSP) button bypasses much of the audio processing for those instances when using a digital signal processor and locks the input sensitivity to 5.3 volts.

Concerning crossovers, Input A has a -12 dB/Octave high-pass filter that can be set between 43 and 500 hertz, or 430 Hz to 4 kHz when the x10 multiplier button is depressed. Input B has a high-pass crossover that’s adjustable from 18 to 220Hz and a low-pass crossover adjustable from 43 to 500 Hz. It would be nice if the Input B low-pass crossover had an x10 button. That said, most installations with this amp will include a digital signal processor.

Mosconi Pro 4|30
All the audio processing controls are located on the top panel just above the RCA input jacks.

High-Bias Operation

If you’d read our articles on amplifier distortion, you’ll know that crossover distortion in Class-AB designs can, when not designed or calibrated properly at the factory, result in sound quality issues, especially at low volume levels. Mosconi’s taken a novel approach to maximizing sound quality by configuring the amp to operate in what they call AAB mode. The output devices are biased to operate in full Class-A mode up to 30 watts of power. Class-A operation eliminates the crossover distortion issue. However, this operation mode means the amp will turn the output devices on halfway when no signal is played. This increases current consumption, so the amp will get quite warm. When running this beauty, you’ll want to ensure your vehicle has a robust electrical system.

Once the output level exceeds 30 watts per channel, the amp reverts to conventional, though still sonically excellent, Class-AB mode. In short, you should experience impressive clarity at low volume levels and still be able to crank things when the mood requires. Very cool!

Mosconi Pro 4|30
The Pro 4|30 circuit board uses high-quality surface-mount devices, and the output MOSFETs are clamped to an extruded aluminum heatsink.

High-Quality Car Audio Amplification

Though a handful of sound-quality-focused amplifiers are still on the market, they are becoming rarer. You can find smaller, more efficient amplifiers to power your car audio system. However, we suggest formally auditioning the unique Mosconi Pro 4|30. It would be well worth the time investment if you plan on installing a truly high-end audio system in your vehicle. You can find an authorized Mosconi dealer near you using the Find a Dealer tool on the Mosconi America website.

Be sure to follow Mosconi on Facebook and YouTube to learn more about their amazing car audio products.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Mosconi

A Look at the Importance of Tweeter Installation Hardware

Tweeter Installation

High-quality speakers and proper installation are crucial when upgrading your car’s audio system. The ease with which your installer can reliably integrate tweeters into your vehicle will determine a portion of the labor cost. Will the technician need to fabricate a mounting bracket? Will they need to create a little pod? Is there even enough hardware provided to ensure a reliable and safe installation? Let’s look at some tweeter installation hardware solutions.

Why Are Tweeters Important for Great Sound Quality?

Before discussing tweeter installation, we should review the importance of having dedicated tweeters in a car audio system. By definition, tweeters are relatively small speakers designed to play the highest audible frequencies. They vary from 0.5 to over 1.25 inches in size. The larger tweeters can typically play lower frequencies, making them ideal for two-way front speaker systems. However, a large diaphragm might have some resonance at extremely high frequencies.

Tweeters are made from a variety of materials. Textile domes like silk, metal domes like aluminum, titanium and beryllium and plastic materials like polyetherimide are among the most popular. While the metal versus textile performance discussions will go on forever, what’s more important is that the tweeter diaphragm doesn’t have resonance issues. Most companies add a damping material to the diaphragm to prevent this. The damping applies to both textile and metal designs.

Most tweeters in the car audio market use a dome-shaped diaphragm. However, some use a ring-radiator design, like the tweeters in the Rockford Fosgate T4652-S set. The concept of the ring tweeter is to eliminate the chance of resonance in the center of the dome. While it’s unwise to make blanket statements about one design over others, we were very impressed with the clarity of the T4 ring radiator tweeter.

Tweeter Installation
The Rockford Fosgate T4652-S tweeter uses a ring-radiator design, which eliminates resonance in the dome’s center.

Flush-Mount Tweeter Installation Options

There are four common options for tweeter installation. First, we have flush-mounting. In this type of installation, the tweeter and a grill are mounted in a panel, and the result is basically flush. This means the tweeter may only protrude a few millimeters or 0.25 inch. This type of installation requires that the panel be modified to accept the tweeter, which means a hole between 1 and 1.5 inches must be created.

The most basic reliable tweeter mounting method uses a U-shaped spring-steel bracket that bolts to the back of the tweeter assembly. The bracket must be spring steel to retain tension and hold the tweeter securely.

Tweeter Installation
The Hertz ML 280.3 Legend uses a high-quality spring-steel bracket to secure the 1.38-inch high-frequency driver to the installation panel.
Tweeter Installation
A Hertz ML 280.3 is installed in an A-pillar. Image: Dan Wilson, Columbus Car Audio.

Some companies have created more complex installation solutions for flush-mount applications. For example, KICKER’s QS-Series speakers include a nut that threads onto the back of the tweeter to keep it pressed tightly against the mounting surface. The legs of the nut can be trimmed to work with mounting surfaces of different thicknesses.

Tweeter Installation
KICKER includes a surface-mount trim ring and adjustable depth locking nut to secure their tweeters.
Tweeter Installation
The KICKER Chevrolet Cruze features QS-Series components mounted in custom pods in the doors.

Rockford Fosgate’s Dual Discrete Clamp mounting solution is one of the most elaborate mounting options we’ve seen. The DDC comprises two cast aluminum brackets sandwiched on either side of a mounting surface to hold the tweeter in place. Once the two clamps are secure, the tweeter locks into place, and a trim piece finishes the installation.

Tweeter Installation
The Dual Discrete Clamp hardware, included with many Rockford Fosgate tweeters, ensures a rock-solid installation.
Tweeter Installation
This Mitsubishi Eclipse features three Punch Series 6.5-inch component sets in the front to support 16 subwoofers.

Surface Mounting Options

The second type of installation is to mount the tweeters on the surface of a dash or door panel. This is less invasive as there doesn’t need to be a huge hole cut. That said, holes for wiring or hardware might be required depending on the location. Many tweeters include surface-mounting solutions that position the tweeter parallel to the mounting or at an angle. Angled mounting solutions are helpful when mounting a tweeter off-axis to the listening position. Ideally, a tweeter should be within 15 to 20 degrees of being on-axis with the listener. Alternatively, the tweeter can point at the windshield, dispersing high-frequency information into the listening area.

Tweeter Installation
The 1-inch Sony Mobile ES tweeter in the XS-162ES and XS-163ES sets includes flat and angled surface-mounting hardware.

Tweeter Pods

Another option for installing tweeters is to use pods included with the system. These pods are typically bullet-shaped and mount through a single hole. The design should have a way to conceal the wiring for a neat appearance. You will want to ensure that the pods can be directed at the listening position for maximum performance.

Tweeter Installation
KICKER’s KST200 and KST250 tweeters and several component sets include pods to simplify tweeter installation.

Original Equipment Locations

Most modern vehicles have tweeters integrated into the factory audio system. These are often behind small grilles in the A-pillars, the dash, the doors near the release handle, or the sail panels in the front corner. Often, the factory tweeters are quite small in diameter and overall size. As such, it can be tricky to replace them with aftermarket tweeters. Some companies offer tweeter designs specifically engineered to work in original equipment locations, eschewing grilles and other hardware.

The key to a successful installation in these locations is reliability. We’ll be very clear in stating that mounting with hot glue or butyl rubber is unsatisfactory. These materials can quickly melt when the vehicle interior gets hot in the summer, causing the tweeters to fall out of place. If there aren’t options for mechanical fastening solutions, an epoxy adhesive like 3M Scotch-Weld DP8005 designed to work with plastics is an acceptable alternative.

Tweeter Installation
A Rockford Fosgate tweeter mounted in the original sail-panel locations of this BMW X1 XDrive28i CUV.
Tweeter Installation
Musicar Northwest designed and 3D-printed custom mounting brackets for a set of Morel tweeters and midrange drivers for a Lucid Air audio system upgrade.

Custom Installations

Of course, a custom installation solution for your tweeters is always an option. You may want them to blend into the A-pillar, dash or door. You may want a technician to create a custom pod that puts the tweeters in a specific location or points them in a particular direction. You may wish for the installation to look unique. So long as the guidelines about tweeter directivity are heeded, you can have the technician construct almost anything.

Tweeter Installation
An Audison Thesis-Series tweeter mounted in a low-profile custom A-pillar mount. Image: Dan Wilson
Tweeter Installation
A Rockford Fosgate T-4652-S tweeter installed in the door of a Chevrolet Corvette.
Tweeter Installation
Custom pods with an OE look for a set of Morel tweeters in a Ford Raptor by Musicar Northwest.
Tweeter Installation
A set of custom pods for Sony Mobile ES tweeters by Soundbytez Car Audio.

The Importance of Proper Tweeter Installation

While a tweeter doesn’t seem like a large item, in the unfortunate event of an accident, the last thing you want is to get hit by a tweeter that’s come out of place. Yes, this is a bit extreme. However, true professionals put significant effort into ensuring that their upgrades to our cars and trucks are safe and reliable. Do you want a tweeter to fall into the door or an A-pillar because it was held in place with hot glue? Certainly not. When shopping for car audio speaker upgrades, drop by a local specialty mobile electronics retailer and ask them which component speaker systems they offer. Be sure to inquire about how they integrate the tweeters into client vehicles.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Product Spotlight: Focal PS 165 SF

Focal PS 165 SF

When it comes to premium car audio speaker upgrades, most enthusiasts know that Focal offers more solutions than any other. With offerings ranging from OE replacement to benchmark quality, there’s a speaker at a price point for every budget. In this spotlight, we will look at the PS 165 SF two-way, 6.5-inch Slatefiber kit. Let’s check it out!

What is the Focal PS 165 SF kit?

The PS 165 SF speaker kit includes a pair of 6.5-inch woofers, two 20mm tweeters and a set of passive crossover networks.

The woofers are based around a cast aluminum basket. The basket has five sets of twin spokes connecting the mounting flange to the base in what they call the Rotor Effect Basket. Four large (roughly 1-inch) slots in the mounting lip secure the basket to the vehicle. The basket has a bluish-slate color that matches the woofer cone color. Electrical connections are handled by a set of quick-connect terminals housed in a custom-tooled plastic block. The tinsel leads are neither rubber-coated nor sewn to the spider, but the plastic block has dedicated routing to ensure the leads do not slap the cone or spider at high excursion levels.

Focal PS 165 SF
The wire connection terminal block includes routing for the tinsel leads to ensure they operate silently at high output levels.

Slatefiber Woofer Features

The woofer cone is made from non-woven recycled carbon fibers and uses the marketing name Slatefiber for its blueish slate stone appearance. The random design of the cone helps with damping, resulting in smoother high-frequency response. As with many Focal speakers, there’s no dust cap, which helps reduce the mass of the moving assembly to improve upper midrange performance. A large rubber surround provides cone damping and a reliable, flexible seal at the top of the cone. At the base of the cone is a 25mm voice coil former that gives the set an 80-watt continuous power rating. A single ceramic magnet powers the woofer.

A quick look at the woofers’ specifications shows a resonant frequency of 66.8 Hertz, a Qts of 0.592 and an effective surface area of 132 square centimeters. Focal has chosen a slightly lower-than-normal impedance for the woofer, with the DC resistance being 2.8 ohms. This will increase the maximum power available from whatever amplifier you choose to drive the kit.

Focal PS 165 SF
A butyl rubber surround ensures long-term reliability for the Slatefiber woofers.

Focal Aluminum Magnesium Tweeter

The kit includes a pair of Focal’s proprietary aluminum and magnesium inverted hard-dome tweeters. The tweeters have an effective radiating diameter of 20mm, a DC resistance of 4 ohms and a resonant frequency of 2.6 kHz. Their efficiency is rated at 93 dB at 2.83V at 1 Meter.

While tweeter performance is crucial to hearing all your music, installation flexibility is equally important. The Al/Mg tweeters have a flush mounting cup with a grille and integrated phase disc. The raw tweeter can also be installed without the cup in OE applications. The kit also includes surface mount pods for the tweeters when used with their cups. This will allow your installer to mount the tweeters to your dash and aim them toward the listening position.

Focal PS 165 SF
The Aluminum/Magnesium tweeters can be mounted without their cups in OE locations.

Passive Crossover Networks

A crucial key to the performance of a component speaker set is to use it with either a properly configured and calibrated digital signal processor or with the right passive crossovers. Focal includes passive crossover networks with the PS 165 SF kit. Uniquely, the woofers’ low-pass filters and the tweeters’ high-pass filters are in different housings. This allows your installer to split the wiring and mounting locations if you have a dash or A-pillar tweeter location and a door location for the woofer. The tweeter crossovers include a three-position switch on the circuit board that allows your installer to reduce tweeter output by 3 or 6 dB to compensate for different mounting distances and listening preferences.

Focal PS 165 SF
The passive crossover networks for the woofers and tweeters are in separate enclosures to make installation easy.

Focal Slatefiber Speaker Design

Looking at all the features of the Focal PS 165 SF Slatefiber set, its efficiency is one of the many features that stand out. As such, these speakers can be used effectively with either a factory-installed or aftermarket radio using “deck power.” If you want more output, a small to medium-sized stand-alone amplifier will provide more output and likely improve clarity—the flexible crossover design complements the OE upgrade suitability of the kit.

If you are in the market for a set of speakers to enhance your mobile audio system, visit a local authorized Focal dealer and ask about the PS 165 SF Slatefiber set. You can find a dealer near you using the store locator tool on the Focal website. For more information on Focal products, be sure to follow them on Facebook, Instagram and on YouTube.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Focal

A Car Audio Speaker Power Handling Demonstration

Speaker Power

We’ve talked about how speaker power handling is tested and the importance of delivering accurate test data. In the context of car audio speakers, we’ve explained that the physical size of the voice coil is a crucial element in determining how much power a speaker can handle. In this article, we’ve put together a simple, practical demonstration to show the thermal limits of a speaker.

What Defines Speaker Power Handling

Before the demonstration, we should discuss the definition of “power handling” in the context of speakers and subwoofers. Power handling describes the amount of power from an amplifier that a speaker can handle without being permanently altered negatively. This negative effect could be thermal damage to the voice coil former, the speaker’s suspension, or physical damage from excessive excursion. For example, too much low-frequency information fed into a small midrange driver might cause the voice coil former to hit the T-yoke and cause permanent deformation.

Unlike test tones, music is very dynamic. In this context, dynamic refers to a varying average level of energy. For example, a quiet passage in a song with only a female artist singing might require only a watt of power from an amplifier. When the bass guitar and drums start playing, it might take 10 or 20 watts of power to reproduce those lower frequencies. A stick hitting a floor tom drum’s skin takes less energy than strumming the lowest note on a five-string bass. The guitar sound could last several seconds, whereas the drum strike might only be a half-second. Power over time is what builds up heat in a speaker voice coil.

Cooling Capacity Analogy

A good analogy here is a car engine. For example, a Honda Civic might have a single radiator 14 inches tall and 14 inches wide with a ½-inch thick core. Conversely, a Dodge Challenger Hellcat might have a radiator that’s 25 inches wide, 18 inches tall and 1.625 inches thick. The Honda has 98 cubic inches of cooling capacity, whereas the Dodge has about 772 inches.

Speaker Power
The size of a car or truck radiator depends on how much heat an engine wastes and how hard it’s likely to work. Images: RockAuto.com

We know that engines are about 20-40% efficient. So, the Honda Civic, making 150 horsepower, will waste about 50 horsepower as heat under maximum load. That’s 37.3 kilowatts of heat energy. The Big Dodge can produce 700 horsepower, and assuming a similar 33% efficiency (which is likely generous), it will produce 174 kilowatts of heat.

The purpose of a radiator is to transfer the unwanted heat produced by the engine to air. If we divide the heat produced by the engine by the cubic inches of radiator area, we get 380 watts/square inch for the Honda and 225 watts/square inch for the Dodge. Given the chance that the Challenger will likely be driven more aggressively, some extra cooling capacity is cheap insurance against overheating.

Speaker Efficiency

Unfortunately, moving coil loudspeakers are notoriously inefficient. A 6.5-inch woofer might convert 0.02% of the energy from an amplifier into sound. A mid-level 12-inch subwoofer might only convert 0.25%. So, when you feed 20 watts into the midrange driver, you get the equivalent of 4 milliwatts of sound energy in the air. The rest of that power from the amplifier is wasted as heat in the voice coil and, subsequently, the parts surrounding it.

If you stop and look at different speaker designs with increasing power handling capabilities, you’ll notice that the voice coil size increases. A larger voice coil winding has more surface area. As such, the assembly can absorb more heat before failing.

For example, the Rockford Fosgate P1650 6.5-inch Punch Series speaker is rated to handle 55 watts of power. It has a voice coil diameter of 1.0 inch. The woofers in the Power Series T1650-S component set are rated for 80 watts of power handling and use a 1.2-inch diameter voice coil. The Power T3652-S set is rated for 125 watts, and the woofers have 1.5-inch diameter voice coils. So far, it all seems to make sense. An increase in diameter from 1 to 1.2 inches for a given winding height means 20% more surface area. Going from 1.2 to 1.5 inches in diameter is 25% more area. Combine this with a voice coil winding that’s likely longer, and you have significantly more heat management capacity.

Subwoofer Voice Coils

Speaker voice coils usually have a single winding of copper around the former. Subwoofers, on the other hand, can have multiple layers. Many higher-power subwoofers have four-layer voice coils, so they might be over 3 millimeters instead of a millimeter thick. This increase in size, specifically mass, further increases power handling.

The choice of voice coil former material also affects power handling. For example, aluminum has a thermal conductivity of 210 W/m-K. This means aluminum can transfer 210 watts of heat per meter of material per degree Kelvin. Copper is even better at over 400 W/m-K. On the other hand, air is a terrible conductor of heat energy at about 0.0235 W/m-K. Aramid fibers like Kevlar are also bad, at 0.04 W/m-K. If a speaker designer wants to extract heat from the voice coil winding, they might use an aluminum former. They might use an aramid glass-fiber former if they want a material that won’t heat up. Balancing physical strength, mass and thermal conductivity are all crucial in designing a reliable, high-performance speaker or subwoofer.

Speaker Power
The massive Rockford Fosgate Power Series T3S1-19 19-inch Superwoofer features a gargantuan 5-inch flat-wound voice coil that can handle 3,000 watts of power.
Speaker Power
The SOLO X 15 from KICKER features a multi-layer 3-inch voice coil that can handle 2,000 watts of power.

Let’s Compare Voice Coil Power Handling

We’ve sourced three different voice coils for this little experiment. All have relatively short windings, measuring just under 10, 18 and 20 millimeters in height. The coils have outer diameters of 26.4, 52.7 and 76.9 millimeters. The two smallest voice coils are wrapped around aluminum formers, while the larger uses two aluminum collars connected by a glass fiber backing. One collar is behind the winding, and the other is on top to connect the cone and spider. All three have two-layer windings.

I carefully measured each coil’s impedance. The small coil is wound to a DC resistance of 6.37 ohms. The medium coil has a DC resistance of 7.07 ohms, and the smallest is 3.53 ohms. I created a spreadsheet to calculate how much voltage I should apply to each coil so that it dissipates a specific amount of power. I will start with thermal measurements with 5 watts of power, then increase to 10 watts and see how hot things get.

Speaker Voice Coil Thermal Test at 5 Watts of Power

Starting with the large voice coil, the chart below shows that the temperature rose quickly from room temperature to 125 degrees after 1 minute before settling at about 137 degrees. While that’s warm, there was no concern of damaging the voice coil winding.

The medium-sized voice coil got warmer faster. It reached 132 degrees in a minute, then tapered off to 147 degrees after three minutes.

The smallest voice coil got quite hot quite quickly. It was over 210 degrees in a minute and 288 degrees in three minutes. This isn’t enough to damage it, but that’s a reasonable amount of heat.

Speaker Power
Voice coil temperature versus time at 5 watts of power.

Speaker Voice Coil Thermal Test at 10 Watts of Power

Now, let’s repeat the test using only 10 watts of power. The large coil warmed up a bit faster, tapering off around 180 degrees. The medium-sized coil followed a similar pattern, tapering off at just over 190 degrees. The tiny voice coil temperature skyrocketed almost immediately to 300 degrees, then held around 362. This temperature is the absolute upper limit of what a voice coil can handle. Prolonged use at this level would result in damage.

Speaker Power
Voice coil temperature versus time at 10 watts of power.

Undoubtedly, you’ve seen the different power ratings for Continuous and Maximum or Music power on a speaker. Constant, steady-state tones similar to what we used for this test are very hard on speakers from a thermal perspective. If this were music with 10 dB of dynamic range, you could understand how it could handle high-power transients while cooling off during quiet moments.

Speaker Power
A thermal image of the large voice coil when hot.
Speaker Power
A thermal image of the medium-sized voice coil when hot.
Speaker Power
A thermal image of the small voice coil when hot.

Another Reason Voice Coil Temperature Matters

Before we started the testing, we measured the impedance of each voice coil. The image below shows the impedance and phase plot of the small coil.

Speaker Power
The small voice coil’s impedance (orange) and phase (blue) at room temperature.

There are a few things to learn from this measurement. First, the voice coil winding doesn’t have much inductance. The impedance only starts to increase above 1 kHz. Second, the nominal impedance is at about 3.5 ohms at lower frequencies.

After the 10-watt test, I repeated the impedance measurement. The results are below.

Speaker Power
Impedance (orange) and phase (blue) of the small voice coil, starting at 350 degrees.

The impedance starts at 4.2 ohms and drops to 3.8 as the voice coil cools. With very little thermal mass, the temperature drops quickly during the measurement. While the difference between 4.2 and 3.5 doesn’t seem significant, it’s an increase of 20%.

Does this impedance increase matter? Well, amplifiers output voltage, not power. The amount of power they produce depends on the impedance of the load. If an amplifier produced 5 volts RMS, the speaker would get 7.14 watts of power when cold. Once hot, the current would decrease, and the speaker would only get 5.95 watts of power. That’s not huge, but it’s a difference of 0.79 dB SPL. Suppose your installer has agonized over dialing in a digital signal processor to deliver perfectly smooth sound. In that case, a speaker with a voice coil that heats up quickly will have less efficiency once warm, altering the balance of your audio system.

Heat Management in Car Audio Speakers Is Crucial

This experiment doesn’t consider the pole piece or top plate’s proximity to a speaker to help extract heat. It also doesn’t include any benefits from the voice coil and cone moving to create airflow. However, those features don’t significantly affect the heating or cooling rate between the voice coil sizes shown here.

If you’re looking for speakers or subwoofers that can handle the most power possible, larger voice coils can handle more heat. However, they do come with some drawbacks. We’ll look at those in another article soon. In the meantime, drop by a local specialty mobile enhancement retailer to audition speakers that will sound amazing in your car, boat, or motorcycle.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

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