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Understanding the Specs – Amplifier Power Ratings

Amplifier Power RatingsWelcome to our new series about understanding product specifications. Our goal in these articles is to help you understand what the amplifier power ratings mean when you start to compare solutions. We’ll not only explain which numbers are good, but we’ll include a detailed description of what each specification means, how it’s measured and how it affects what you hear or experience. To start the series, let’s look at amplifiers. It’s a subject we’ve chosen because people tend to focus on amplifier specifications more than anything else when shopping.

Why Your Car Audio System Needs Power

Amplifier Power RatingsWithout a doubt, the most popular specification that consumers look at when purchasing a car audio amplifier is its power rating. An amplifier takes the small signal from your source unit and increases it in voltage and current to drive a low-impedance speaker. In a nutshell, the more power you have, the more loudly you can play your car stereo system before the signal going to the speakers distorts. The limit of how much power is required is determined by the power handling specifications of the speakers in the vehicle, their cone excursion limits and their distortion characteristics. We’ll look at those limits in a future article about speaker specifications.

How We Measure Power

When an amplifier is set up in a lab to measure power, it’s typically connected to a power supply and a set of load resistors. Many manufacturers use test equipment from companies like Audio Precision to measure the distortion characteristics of the output signal to determine the point at which you would hear the distortion.

Amplifier Power Ratings
The graph above shows the distortion of two channels of a five-channel amp relative to their power level. The blue trace is one of the four main channels and produces about 95 watts of power at 1 percent distortion. The red trace is the subwoofer channel and shows that the amp produces just under 300 watts at 1 percent distortion.

The Consumer Technology Association (formerly the Consumer Electronics Association) has established a standard for the power and signal-to-noise ratio measurements of car audio amplifiers called CTA-2006-B (formerly CEA-2006-B). The specification states that power measurements are to be taken with the amplifier powered with a voltage of 14.4 volts, and the measurement is taken into a specified load (typically 4 ohms) with no more than 1 percent total harmonic distortion and noise, across the entire bandwidth of the amp.

Amplifier Power RatingsIn layman’s terms, the amp must perform as well producing bass as it does high-frequency information, and the specified power rating cannot include large amounts of distortion. While the 14.4V rating is somewhat high, it establishes a level playing field from which consumers can compare results.

Several companies include additional power measurements to highlight different characteristics and performance features of their products. JL Audio, for example, includes output power ratings tested at 12.5 volts. Rockford Fosgate includes dynamic power ratings taken using the IHF-202 standard. Essentially, the dynamic power rating demonstrates the reserve capacity of an amplifier’s power supply to drive transient signals that last no more than 20 milliseconds.

Do Some Manufacturers Cheat?

Amplifier Power RatingsIf you don’t see the CTA-2006 logo associated with a product you are considering, there are several ways that the numbers may not be directly comparable with other options. One easy way to inflate numbers is to increase the supply voltage to the amp. Depending on the design of an amplifier’s power supply, each additional volt provided to that power supply could theoretically increase the amplifier’s output by about 0.6 dB. That would be like a 100-watt amp being able to make about 115 watts.

Not specifying a distortion rating is another great way to fudge the numbers. Most Class AB amps can produce 60 percent to 70 percent more than their 1 percent rated power if they are driven hard into clipping. Of course, the music no longer sounds like music and you run the risk of damaging speakers because they’ve been over-powered.

Finally, some amplifiers have problems with producing power at the extreme ends of the frequency spectrum. To be compliant with the spec, the amp needs to make the rated power level at 20 Hz through 20 kHz, or whatever the upper limit is for the design.

Do Amplifier Power Ratings Really Matter?

Amplifier Power RatingsIf you are shopping for an amplifier, the power rating does nothing to tell you about the quality of one amplifier compared to another. You don’t need 100 watts to drive your tweeters and you certainly won’t be happy with a 25-watt amp driving a subwoofer in your car.

When you are comparing amplifiers, don’t get your knickers in a knot over a few watts. This applies specifically to amplifiers that come with birth certificates (documentation that states a particular amplifier’s power production capabilities). You can’t hear the difference between an amp that makes 300 watts and one that makes 305 watts. That difference would be a mere 0.07 decibels. You will hear a difference between a subwoofer amp that produces 100 watts and one that can deliver 300 watts.

We’ll add a note about “how things work” here. To increase the output of your audio system by 3dB, you need an amp that can produce twice as much power. So, to go from 90 dB in your car, you need twice as much power from the amp to raise the volume to 93dB and twice as much again to get to 96dB.

Shopping for a Car Audio Amplifier

When it’s time to go shopping for a car audio amplifier to provide more power to your speakers, drop into your local car stereo shop and speak with one of their product specialists. They can help you determine how much power is appropriate for the system you have in mind and choose an amp that sounds great and works with your budget.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Are High-Efficiency Speakers Better?

High-Efficiency SpeakersIf you are an avid car audio enthusiast, it’s likely that you’ve seen photos of or heard systems that use high-efficiency pro audio style speakers. These drivers were designed for PA systems at concerts and can produce impressive output levels with moderate levels of power from an amp. In this article, we are going to look at the benefits and drawbacks of using pro-sound speakers in applications like a motorcycle.

What Determines Speaker Efficiency?

High-Efficiency SpeakersBefore we dive into the differences between conventional car audio speakers and high-efficiency speakers, let’s take a quick look at the definition of speaker efficiency and what design features change this value.

Speaker efficiency specifications describe how much acoustic output a speaker produces for a given amount of input signal. A proper rating will look something like this: 88 dB (2.83 V/1M). This specification means that the speaker will produce a sound pressure level of 88 dB when driven with 2.83 volts of signal from an amplifier and measured using a microphone placed 1 meter away from the face of the speaker cone. Increasing or decreasing the supplied power will dramatically affect the specification. As an example, you may see companies use the 1 watt/1 meter standard. 2.83 volts is 1 watt of power into an 8-ohm load. For a 4-ohm car audio speaker, 2.83 volts is 2 watts. You can subtract 3 dB from the 2-watt specification to get the 1-watt number, and vice-versa.

High-Efficiency SpeakersSeveral technical design details determine speaker efficiency. One of the biggest factors is the weight of the cone and voice coil assembly. A lightweight cone assembly is easier to move and typically produces more output with less power. The drawback of this low-mass design is that the resonant frequency of the speaker will be higher and the driver won’t produce anywhere as much bass. This is the basic trade-off between conventional car audio speakers and pro-sound drivers.

Efficiency Versus Low-Frequency Output

When reproducing music, extended low-frequency extension adds a great deal of impact and realism to the listening experience. Vocals and midrange from the 175 to 200 Hz region are of course crucial, but adding another octave below that is the difference in between listening to music from a smartphone or a clock radio and the capabilities of a real stereo system.

High-Efficiency SpeakersLet’s compare two popular 6.5-inch woofers, both intended for car audio applications. Speaker A is a conventional car audio woofer designed to be used with a tweeter and is intended for installation in the door of your car or truck. Speaker B is a high-efficiency pro audio style midrange and will also need a separate tweeter to play above 3,000 Hz.

The graph below shows the predicted low-frequency response of Speaker A in red and Speaker B in yellow in an effectively infinite baffle application (a door or motorcycle fairing that isn’t sealed). The shown levels refer to each driver being supplied with 1 watt of power.

 

High-Efficiency Speakers
Low-frequency response of a car audio version pro audio 6.5-inch midrange.

As you can see, Speaker A produces about 90.5 dB of output at 630 Hz where Speaker B is at 93.3 dB. The trade-off is that Speaker B only produces 81.4 dB of output at 70 Hz where Speaker A produces 84 dB. These numbers are actually pretty small, but the overall tonal balance of the two options would be audible.

If you look at some of the popular target equalization curves that tuners use, they typically tune for flat midrange response from about 3,000 Hz down to around 100 Hz. Emphasis in the upper midrange is not typically desirable. If you have a digital signal processor in your system, your tuner could use the equalizer to lower those frequencies, but that doesn’t make the bass region play any louder in absolute terms.

How Loudly Will It Play?

When it comes to motorcycle audio, clients want their systems to play as loudly as possible to drown out loud exhaust systems and wind noise while on the freeway. The defining factor in how loudly a speaker will play is its excursion capability. For our example above, Speaker A is rated to have an Xmax specification (one-way excursion limit) of 4 mm while Speaker B is limited to 1.2 mm because of its short, lightweight voice coil former.

The graph below shows how low each driver can play when driven with 70 watts of power before the cone assembly starts to leave the magnetic gap and distortion increases dramatically. With the high-efficiency pro audio speaker, you will have to implement a high-pass filter in the system to limit power below 150 Hz. With Speaker A, you can let the driver play down to 60 Hz before the voice coil starts to come out of the gap with the same amount of power.

High-Efficiency Speakers
Excursion-limited low-frequency output limits.

Which Speaker Solution Is Right for Your Application?

Based on the science behind how speakers work, the argument for using a pro audio type speaker without the addition of a dedicated woofer of some sort seems illogical. If the amount of power you have available is limited, then a high-efficiency speaker might be worthwhile. With that said, even the smallest of high-quality amplifiers can produce at least 45 or 50 watts of power, which should be more than enough to drown out road and wind noise in almost any situation.

High-Efficiency SpeakersIf you have plans to add a dedicated woofer to the saddlebag or trunk on your bike, and can find one that will play up to 150 or 200 Hz without significant distorting, then pro-style high-efficiency speakers may be a good option if all that matters is how loudly the system will play.

It’s worth noting: If you look at motorcycle and powersports-specific upgrade packages from companies like ARC Audio, Rockford Fosgate, JL Audio and Kicker, they all use a conventional speaker design that offers great bass performance.

If you need a hand choosing the right speaker for your application, drop by your local specialist car stereo retailer. They can provide some insight into the best solution for your vehicle and your listening style.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, Motorcycle Audio, RESOURCE LIBRARY

Vehicle-Specific Audio Upgrades

Vehicle-Specific Audio UpgradesDid you know that in Europe, there aren’t nearly the number of qualified car audio installers that there are here in North America? In some countries, shops that primarily sell wheels and tires are the most popular choice for purchasing and installing audio system upgrades. Manufacturers that want to provide consumers with premium sound system upgrades have turned to developing vehicle-specific audio upgrades that don’t require any fabrication skills to install. In this article, we’ll look at what makes these a great solution to upgrade your audio system quickly and easily.

What Makes an Application Vehicle-Specific?

Vehicle-Specific Audio Upgrades
The Subaru WRX uses a unique 3 point mounting system for its door speaker.

Let’s look at speakers for the discussion of what makes something vehicle-specific. If your pickup truck comes from the factory with a 6×9-inch speaker in the door, there are hundreds of options available that will bolt right in. On the other hand, if you have a vehicle like a Subaru WRX, where the factory speaker includes a large semi-triangular mounting bracket with three holes, your local car audio installation technician will need to create a mounting adapter to install a new 6.5-inch woofer or coaxial speaker in the door.

Vehicle-specific audio upgrades typically involve two items: the inclusion of application-specific speaker mounting brackets and electrical connectors designed to work with the wiring already in the vehicle. In short, no fabrication is required to install these products, and the installation doesn’t require any modification to any part of the vehicle.

Vehicle-Specific Subwoofer Upgrades

Vehicle-Specific Audio UpgradesWhen you say the word subwoofer to someone, they often envision someone driving down the street with a wall of woofers, shaking windows and being otherwise annoying. The reality is, adding a subwoofer to even a premium car audio system is one of the best upgrades you can do.

Recreating music below 80 Hz takes a lot more power and speaker excursion than higher frequencies require. Letting a sub and a dedicated amp take care of the bottom few octaves not only adds bass that was likely missing, but alleviates the need for the smaller speakers and low-power amplifiers to try and produce that sound. The result? Every aspect of your audio system will sound clearer and more detailed.

Companies like JL Audio, Atrend, Bassworx, MTX, Audio Enhancers, Alpine and many more have subwoofer enclosures designed for specific cars and, more importantly, pickup trucks. These enclosures fit into the trunk, spare tire area or corner of a car trunk. For pickup trucks and SUVs, solutions exist for under rear seats, behind seats, in center consoles and to replace inadequate factory subwoofers in the back of SUVs.

Add an Amplifier with a Digital Signal Processor

Vehicle-Specific Audio Upgrades
The Audison AP8.9 bit offers an on-board DSP with vehicle-specific tunes available.

Another way to upgrade BMW> and Mini (they use the same speaker and subwoofer sizes) audio systems is to add an amp with an integrated digital signal processor. The extra power will let you turn up the volume without distortion. More importantly, the DSP in the amp can, in the hands of a skilled technician, dramatically improve the tonal balance of your audio system. Installing an amp before upgrading the speakers is a great way to build your system in stages and ease the impact on your wallet.

Are These Do-It-Yourself Kits?

Vehicle-Specific Audio Upgrades
Some vehicle-specific kits, such as this offering from Focal, even include hardware and tools.

The answer for the majority of our readers is no. Sure, the speakers bolt into the factory locations and the subwoofer systems may include instructions on how to install them. If you are a handy do-it-yourself kind of person and have experience taking the interior of a vehicle apart, you may be able to complete the install.

If you don’t know the tricks or don’t have the tools to remove the door and trim panels, or you don’t know how to test the frequency content of the factory radio or source unit in your vehicle, then having a trained technician perform the installation is a wise investment.

If the upgrade includes an amplifier for a sub, the speakers or the entire system, setting the crossover and sensitivity controls accurately takes some experience. Sure, almost anyone can experiment with these settings, but a qualified tech can set them in about 15 to 30 minutes, depending on the number of amplification channels involved.

Finally, if you have (wisely) chosen to add a digital signal processor to your sound system, you need specialized equipment and training to optimize its features. The process varies a great deal depending on the configuration of the factory sound system. If you don’t have the right training, the results can be unimpressive.

Upgrade Your Factory Stereo System Today

Even without touching the radio in your new car, your local specialist mobile electronics retailer can dramatically improve every aspect of your sound system. Combining their skill with premium vehicle-specific products can transform your daily commute into a relaxing or invigorating musical experience.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

The Basics of Sound and How it Works

How Sound WorksUnderstanding how to recreate music in our vehicles is a complicated science. Balancing speaker sizes and locations with the goal of recreating what the recording engineer heard in the mastering studio or, at the very least, making your system enjoyable isn’t always easy. We want to take a look at the physics behind sound and explain a few fundamentals of how sound works to help you understand the terminology used in the automotive audio industry and why a balanced system design with the proper equipment is crucial to creating an enjoyable and realistic listening experience.

What is Sound and How Does It Work?

How Sound WorksAt the most fundamental level, sounds are vibrations that travel through air and other mediums. These vibrations are detected by our ears, which in turn convert them to minute electrical signals that our brains interpret.

Because we have two ears, our brain can determine the location of a sound source by analyzing the arrival time and frequency content of what each of our ears hear. For example, a sound that is created directly in front of you will arrive at both ears simultaneously and with equal frequency response. A sound that is created directly to the right of us will arrive at our right ear before our left. The amplitude of the sound will be slightly higher in the right than in the left. Also, the high-frequency content of the sound that arrives at our left ear will be different. We learn as we grow up to correlate different visual cues with what we hear to develop a sense for where the sound comes from.

Recreating Sound and Music

Much like the way signals from our auditory nerves send electrical messages to our brains, sound waves (or vibrations) can move a microphone diaphragm to create an electrical signal that a recording device can store for playback at another time. The image below is an electrical representation of someone saying the word hello. You can listen to the original audio file by clicking here.

How Sound Works

The image shows us a graph of voltage versus time, with voltage on the vertical scale and time on the horizontal. The amplitude (level) of the signal determines its intensity (or loudness). The speed at which the signal changes determines frequency. Understanding the interactions of simultaneous frequencies is fundamental to understanding why similar sound sources produce different sounds.

The graph below shows the average frequency content of the person saying hello. You can hear the audio file by clicking here

How Sound Works

When a performer is singing or someone is playing an instrument, the sound of that instrument is determined by its harmonic content. For example, a Middle C on a piano and Middle C on a guitar are based around similar frequency content. The following recordings show the majority of energy at 261 and 522 Hz. Here is the Middle C note on the piano and here is the note on the guitar. You can see that the average harmonic content of each is quite different.

How Sound Works
Average spectral content of Middle C as played on a piano.
How Sound Works
Average spectral content of Middle C as played on a guitar

If we focus on just the main 261 and 522 tones with a steep band-pass filter set to 120 and 650 Hz, the two instruments start to sound very similar.

Filtered Piano Sound

Filtered Guitar Sound

As you can hear, the “sound” of an instrument depends heavily on its harmonic content and relative balance (amplitude) of that information.

Car Stereo System Frequency Response

So, why are we dwelling so much on the fact that sound of different instruments and performers is based heavily on harmonic frequency content? When it comes to time to design an audio system for your car, truck, boat or motorcycle, it’s important that the system performs evenly across the entire audio spectrum in order for your music to sound realistic.

How Sound WorksTo achieve this goal, you need at least a two-way speaker system. Because no single speaker can reproduce the entire audio spectrum (from deep bass to the highest highs) with good efficiency and dispersion, we dedicate different size drivers to different frequency ranges. In the simplest of systems, you’d have woofers (not to be confused with subwoofers) that play frequencies below about 3,000 Hz. For the top end, you’ll need tweeters to cover the frequencies above 3,000 Hz.

For even better performance, you may want to add a subwoofer to the system to relieve the woofer of the task of reproducing those frequencies below about 80 Hz and dedicate them to a larger speaker that is more efficient in that range. It also takes a lot of energy to reproduce bass information, so you’ll want a moderately powerful amplifier available to drive that subwoofer. If you have 25 watts of power available to drive your left and right speakers, 250 watts would be a good starting point for your subwoofer.

Creating an Amazing Mobile Audio System

How Sound WorksThe last step in creating a car stereo system that sounds good is to ensure that the placement of each of the speakers in the vehicle allows for equal and balanced frequency response from both sides of the car. This is crucial to creating a realistic listening experience. With that said, most of us start with a set of coaxial or component speakers in the stock door locations. This puts our listening position quite far off-axis to the left side driver as compared to the right. For most people, the sound isn’t too bad and they can live with the minor differences, especially if the tweeters are angled up and rearward to deliver similar high-frequency response.

How Sound WorksIf you want a truly enjoyable and realistic listening environment, consider adding a digital signal processor that allows your installer to fine-tune the output of the left and right speakers at all frequencies so that they sound the same. If your installer knows how to sprinkle in the right amount of time delay so that the output of the right speaker arrives at your ears at the same time as the left, well, chances are you’ll enjoy an impressive soundstage in the vehicle. Your music will be spread evenly from left to right, and with the right recordings, you’ll be able to pick out each instrument or performer and their relative location to one another cross this soundstage.

Experience Amazing Audio in Your Car Today!

Now that you have a basic understanding of how sound, works, it’s time to upgrade your car audio system. Drop by your local mobile enhancement retailer and ask about a subwoofer, a DSP-equipped amplifier and new speakers. The difference you’ll hear with each of these upgrades will blow your mind and put a smile on your face.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Behind the Scenes of Speaker Power Handling

Power HandlingWe’ve written several articles about speaker power ratings over the years, but the topic seems to be one that very few people understand fully. This article will serve as the reference guide for how premium and reputable manufacturers rate the power handling capabilities of their speakers. We’ll start by looking at the physics of speaker design regarding how they cope with the heat created by the power from your amp, then explain how pink noise is used to create power ratings.

Loudspeaker Efficiency and Power

Power HandlingUnfortunately, loudspeakers are notoriously inefficient. A high-efficiency 8-inch midrange driver used in a public address speaker can only transform about 1.3 percent of the power from the amp into acoustic energy. The remainder is converted to heat in the voice coil and, subsequently, the parts around the coil such as the magnet, T-yoke and cone.

Speakers designed for car audio applications are often significantly less efficient because they need to operate over a wider frequency range. For a midrange driver with a sensitivity rating of 90 dB 1W/1M, the efficiency is a paltry 0.63 percent.

Think about how much heat a 100-watt incandescent light bulb generates. Below is a thermal image of a 100-watt bulb that has been turned on for only 60 seconds. The glass base of the bulb has already reached a temperature of more than 90 degrees Celsius or 195 degrees F. It’s clearly too hot to touch and will only continue to get hotter. Quick research shows that incandescent light bulbs have an efficiency of about 2.2. This lack of efficiency makes them a great analogy in terms of comparing heat generation to that of a loudspeaker. We’ll get into the logistics and reality of feeding that much power into anything but a subwoofer shortly.

Power Handling

How Speakers Handle Heat

Power HandlingHeat in a speaker is generated in the voice coil winding. Whether it’s copper, aluminum or a combination of both, all that heat is focused on that relatively tiny coil of wire. The only component that comes into direct contact with the voice coil is, not surprisingly, the voice coil former. In car audio speakers, voice coil formers are made from materials such as kraft paper, synthetic insulating papers such as 3M TufQUIN, aramid fibers such as Nomex and Bondex, and aluminum. Each of these materials has different insulating and thermal conductivity properties.

The next speaker component that has to handle the heat from the voice coil is the top plate. In most cases, the top plate is a piece of steel that is affixed to the magnet (or magnets) to focus the magnetic field on the voice coil. Though the top plate doesn’t come into contact with the voice coil, the two components are very close to each other. The majority of the cooling for the speaker’s voice coil can be attributed to heat being transferred away into the top plate and subsequently the motor structure. Many loudspeaker manufacturers go to great lengths to ensure there is significant airflow around the top plate to further enhance cooling, especially on subwoofers.

The T-yoke, the part of the motor structure that completes the magnetic field loop, is also important in helping to draw heat away from the voice coil and the former. The T-yoke resides inside the voice coil former in most designs.

Subwoofer Voice Coil Diameter and Power Handling

Power HandlingThe ability of any device to handle heat is determined by its size. A 1/8-watt resistor is much smaller than a 1-watt resistor. Generally, the size of a component determines the amount of surface area and the ability to transfer heat into the air. In speakers, the diameter and length of the voice coil winding in a subwoofer are a good indicator of how much heat and, subsequently, how much power the speaker can handle.

By way of an example, looking through a popular subwoofer manufacturer’s product range, we see that their subwoofers with a 2-inch diameter voice coil are rated for 250 watts; stepping up to a 2.5-inch diameter coil increases the power rating to 500 watts. Their subwoofers with 3-inch coils are rated at 600 watts, and their competition-level woofers have massive 4- and 5-inch diameter coils rated for 2,500 and 3,000 watts, respectively.

Keep in mind, the physical size (height) of each of these voice coils was not provided, so it’s safe to assume that the jump to more than 2,500 watts of power handling comes with a significant increase in coil winding height and associated surface area.

High-Frequency Speaker Voice Coil Sizes

Talking about power handling in anything but a subwoofer is going to require some common sense. Think carefully about the power handling ratings on a midrange speaker. We’ll look across another popular brand and see how their voice coil diameters relate to the power handling specifications of several of their 6.5-inch midrange speakers. This brand has a driver with a 1-inch coil rated for 70 watts, and a 1.25-inch coil is rated 80 watts in one series and 100 watts in a higher-end solution. The different power ratings on the 1.25-inch coils demonstrate how the overall height of the winding affects thermal capacity.

Power HandlingNow, let’s talk about tweeters. Tweeters in car audio applications are extremely small and, frankly, quite fragile. The voice coil windings in tweeters are made from very fine wire, often smaller than 24 gauge. Even with a diameter of 1 inch on a soft-dome tweeter, they can’t handle much power. So, how do manufacturers come up with ratings of 100 watts or more for their tweeters when we know a midrange driver with a voice coil winding that’s at least five times as tall can only handle 100 watts? The answer lies in how manufacturers test their speakers.

What is Pink Noise?

Before we get into the explanation of how speaker power handling is rated, we need to take a close look at something called pink noise. Pink noise is an audio signal comprised of random frequencies from just above 0Hz to the upper limit of the audio or computer audio file format. For a conventional CD-quality .wav file, this would be 22.05 kHz.

In pink noise, each octave contains an equal amount of noise energy. This means that the octave from 100 Hz to 200 Hz contains the same amount of noise energy as the octave from 1 kHz to 2 kHz. The power in each octave is also inversely proportional to the frequency of the signal. Though this is a rough approximation of how the math works, there are 100 Hz between 100 Hz and 200 Hz whereas there are 1,000 hertz between 1 kHz and 2 kHz. In a pink noise signal, the 1-to-2 kHz band is spread over 10 times as much space.

Here is what the spectral analysis of a pink noise audio signal looks like:

Power Handling

You can see that above 20 Hz, the level of the signal decreases at a rate of -10 dB per decade as frequency increases. This means that there is 10dB less signal energy at 1 kHz than at 100 Hz. When we relate this reduction in signal strength to power from our amplifiers, the ratio is also a factor of 10.

If we are playing pink noise through an audio system, and the amplifier sensitivity controls are set to produce 100 watts of power at 20 Hz, at 200Hz, the amp will be producing 10 watts. At 2 kHz, the amp will be producing 1 watt, and at 20 kHz, the amp delivers 0.1 watt of power to our speakers.

Power Density in Music

Another topic we should discuss before getting to speaker power ratings is how audio energy is distributed in the music we listen to. We looked at six audio tracks and analyzed their spectral content in Adobe Audition in the same way as the pink noise waveform above. The results are shown below:

Power Handling
“Thunderstruck” by AC/DC
Power Handling
“Brothers in Arms” by Dire Straits
Power Handling
“Give Life Back to Music” by Daft Punk
Power Handling
“Yellow Flicker Beat” by Lorde
Power Handling
“In Da Club” by 50 Cent

As you can see from this moderately diverse selection of music tracks, the audio energy is distributed similarly to our pink noise track. For this reason, many manufacturers use pink noise signals to test the power handling capabilities of their speakers.

How Speaker Power Handling is Tested

Power HandlingDepending on the brand, different companies use different processes to test the power handling capabilities of their speakers. It should be noted that some companies have detailed specifications for their testing procedures while others rely simply on data provided by their suppliers, and others guess based on the size of the voice coil used in the design. This is one of the key differences between companies that put significant effort into the design and development of their products and those that pick solutions from a catalog and have their name stamped on the basket and dust cap.

Power Handling
Sine wave

A properly engineered speaker testing process involves several steps. We’ll use a subwoofer for the first example. The technician performing the test would set the output of the amplifier using a sine wave audio track to represent a voltage level that equates to the power level they want to test. For a 4-ohm subwoofer that is to be tested at a power level of 200 watts, the sine wave voltage should be 28.28 volts rms or 40 volts peak-to-peak. Once this amplitude is set, pink noise that equates to an equal amplitude at 20 Hz is played to test the driver.

Power Handling
Pink Noise

Once the levels are set and the speaker is mounted in the test fixture, this pink noise track is played at a continuous level until the speaker fails, or an adequate time has passed. Many companies use eight to 10 hours as a minimum test time and some extend this to 100 hours. After the temperature stabilizes in the speaker, the extended time test can help to confirm the suitability and reliability of chosen adhesives and materials used to build the speaker. In essence, it becomes a physical test as well as a power handling test.

Though it varies from brand to brand, in order for the speaker to pass the test, the Thiele/Small parameters of the driver must not have changed by more than a predetermined amount from those before the test began. A significant change in electromechanical properties indicates that something may have been damaged during the test and that too much heat was generated.

How Midrange and High-Frequency Speakers Are Tested

Because midrange drivers and tweeters can’t handle high excursion levels, they are tested in the same way as a woofer, but the test signal passes through a high-pass filter. Here’s an example:

Let’s say we want to test a 4-ohm tweeter, and we want to use the above standard to test it for 100 watts of power handling. That equates to a sine wave level of 20 volts rms or 28.28 volts peak-to-peak. The test begins with the amplifier calibrated to produce 20 Vrms using a sine wave while not connected to the speaker. Once the level has been set, pink noise is played through whatever high-pass filter the manufacturer specifies. For the purpose of this example, let’s say the filter is set at 2 kHz.

This is what the spectral analysis of the test signal will look like.

 

Power Handling

The average peak level of the test signal is now about 20 dB lower than it was at 20 Hz with a full-bandwidth signal. In terms of audio signal power, we have 1/100th as much power. Or 1 watt.

Are we saying that a tweeter rated to handle 100 watts of pink noise power, tested above 2 kHz, is only tested with 1 watt of power? Absolutely! That’s exactly how it works. Think about the physics of music. We want the audio produced by the tweeters to be balanced with that of the midrange drivers and the woofers or subwoofers.

In the real world, that tweeter can likely handle a lot more than just 1 watt of power. It may be able to handle 10 watts. Does this mean that it would be a good idea to rate the driver as being able to handle 1,000 watts of pink noise? Not likely. You know that someone who doesn’t understand how pink noise works is going to use a sine-wave track to set the gains on their tweeter amp and try and feed 63 volts (1,000 watts) into the tweeter. Of course, these same people will also call the speaker manufacturer and complain that the tweeter is “broken” and all they were doing was setting gain controls.

What’s the Point of Power Handling Specifications?

Speaker power handling ratings that use pink noise are based on criteria established for full-range home speakers. The tests mimic what the speakers would experience when listened to a high volume levels and are intended to indicate what amplifier power rating would be suitable to get the most from the speakers without damaging them. This specification doesn’t take into account what happens when an amplifier is driven into clipping – we’ll touch on that another time.

For now, the takeaway of all this is that setting up an audio system should start with setting the sensitivity controls on your subwoofer amp, then bring up the midrange and tweeter channel levels to create a balanced system. Odds are, you aren’t going to come anywhere close to maximum power from the mid and tweeter amps. Oh, and you don’t need a 150-watt amp to drive your tweeters.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

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