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Deep Thoughts on Car Audio Power Wire Sizing

Wire Size

In the 1980s, most car stereo shops had charts in the install bays that showed what size power wire should be used with different amplifiers. Some charts were based on current and cable length, while others suggested amplifier power ratings and lengths. In all cases, an essential piece of information was missing. Today, we’ll sort that out. Let’s consider why we need large power wires, what factors affect the current draw, and how to select the wiring that’s the right size for your car’s audio amplifier.

Low-Voltage Electrical Systems

Most cars, trucks, boats and motorcycles operate on a 12-volt electrical system. The battery should rest between 12.2 and 12.6 volts when the vehicle isn’t running. Depending on the application, we might see 13.4 to 14.6 volts when the alternator charges the battery. These voltages might be slightly higher if your vehicle uses an AGM battery.

Wire Size
A high-quality battery like this Odyssey Extreme will help ensure that your amplifier can get the power it needs.

Power is the product of voltage times current. So, if a load like an amplifier or light needs 100 watts from the 12-volt electrical system, it will draw 8.3 amps of current. If we want 1,200 watts, we need 100 amps of current. This is Ohm’s law at its most basic.

Now, if we had the 120 volts we find in our homes and offices, the current draw for 100 watts would only be 830 milliamps. A load of 1,200 watts would only draw 10 amps. The amplifier might have a 240-volt supply if this was a concert or sizeable public-address application. If so, it would only draw 415 milliamps of current at 100 watts and 5 amps at 1,200 watts.

Here’s the problem with large amounts of current flowing in electrical conductors. The formula to calculate power is Current squared times Resistance. If we have a conductor with 10 amps of current flowing and 0.005 ohm of resistance, a voltage drop of 50 millivolts will be present across the wire, and 0.5 watt of energy will be wasted as heat. If that current draw increased to 20 amps, the heat wasted in the wire jumps to 2 watts. At 50 amps, 12.5 watts of energy is wasted in the wire; at 100 amps, there is 50 watts. This is the equivalent resistance to 12 feet of all-copper, full-AWG spec 6 AWG wire. Think about how hot a 50-watt incandescent lightbulb gets after being on for only a few minutes.

Cable resistance is why electric utility companies transmit power across the country at levels like 345,000 volts. You can transmit massive amounts of power this way without incurring significant losses from cable resistance.

Wire Size
Power is transmitted across the country at extremely high voltage to minimize losses caused by cable resistance.

Amplifier Efficiency Is Crucial

The second item to remember is that no electrical or electronic device is 100% efficient. This means you put more power into the device than you get out. Car audio amplifiers vary dramatically in their efficiency. We’ve seen subwoofer amplifiers offering more than 92% efficiency and others less than 58%. The amplifier’s efficiency plays a massive role in determining how much power it will consume.

Let’s say, for example, the above amplifiers are both rated to produce 1,000 watts of power. The 92% efficient amp would draw about 87 amps of current from a 12.5-volt electrical system. The inefficient amp would draw a comparatively mind-boggling 138 amps to produce the same power. Statements about power cable requirements based on amplifier power ratings need to be scrutinized.

Wire Size
High-quality amplifiers like the Rockford Fosgate T500-1bdCP can achieve efficiencies of nearly 90% at full power.

Music and Test Tones

It stands to reason that we want to size the wire in our car audio system for a worst-case scenario. We don’t want to waste energy when we max out the power production capabilities of the amplifiers. However, average power consumption is much lower. We’ve analyzed a good amount of modern music, and the average power level is around 7.5 dB below the peaks. This means that if we average the power requirements of our amplifiers over the length of a song, they produce less than 20% of their maximum power when set so the peaks reach clipping.

Turn the volume down one notch, and the current requirements will likely drop by half. It stands to reason that we could, theoretically, undersize the power wire significantly and not run into much trouble. We’ve seen dozens, if not hundreds, of large amplifiers installed with woefully undersized power wiring. Is this a “best practice”? Most assuredly not. However, it happens frequently, and most of these installations don’t run into issues. Is there a downside? Yes, the amplifier will likely never make its maximum power rating, so you’re limiting the performance of your audio system.

What Determines Acceptable Wire Size?

The answer to the question, “What wire size is right for my amplifier?” requires that we pick an acceptable amount of waste or loss. Specifically, how much voltage drop is acceptable across the length of the power wire? The ANSI/CTA-2031 standard for car audio power wiring suggests we select power wire based on a maximum voltage drop of 0.25 volt. Given that the resistance of all-copper, full AWG-spec wire has precise nominal and maximum resistance requirements, we can create a table that provides the maximum allowable current in varying lengths of commonly available wires.

Wire Size

The chart above outlines the maximum allowable current for a given wire size (on the vertical scale) and length (on the horizontal scale). For example, if we have 16 feet of 4 AWG wire, we want to keep the maximum current draw to 58.3 amps. Putting that number back into our amplifier efficiency means we can run an efficient 670-watt amplifier or a 423-watt low-efficiency amplifier without exceeding 0.25 volt of drop across the wire.

One common mistake is to think of the values in this chart as a target. They are a worst-case scenario. For example, if you need to provide 60 amps of current to an amplifier, then 16 feet of 4 AWG wire seems about right. What about the ground wire? It only needs to be 2 feet. Would we want 2 feet of 14 AWG wire? Most definitely not. The goal is to have as little resistance as possible in the power wire to and from the amplifier. Use the same wire for all power connections.

Wasted Energy in Wiring

Now, this isn’t the end of the discussion. We always want to know what happens at those extreme limits, right? The chart says we can draw 2,412 amps of current through 2 feet of 4/0 (0000) wire. That sounds like fun! Or does it?

We need to calculate how much power is wasted in the wire. Two thousand four hundred amps is a lot of current. Here’s a second chart that outlines how much power is wasted (as heat) per foot of the conductor.

Wire Size

The chart above shows how much heat is generated if we draw the maximum possible current to provide a 0.25-volt drop through conductors of different lengths. So, our 4/0 cable with 2,412 amps flowing through it will produce 301.6 watts of heat per foot. I don’t need to tell you that the jacket on the wire will melt off quickly. Our calculations show that a bare 4/0 wire heats at a rate of 121 degrees Celsius per minute when producing 301.6 watts. Most wiring is rated for only 105 degrees C. I’m sure you see the problem. Even if we’re way off on our calculations, managing or, more accurately, preventing heat in conductors is crucial in making sure that the wiring in a car’s audio system functions reliably.

Big Wire Is Expensive

While the math checks out, using 16 feet of 2/0 cable for a good ~1,200-watt amp is expensive, right? What if we allow for 0.5 volt of drop across our power wire? Yes, the maximum power out of the amplifier will decrease, and the wire will get hotter. However, it won’t hit our wallets quite as hard. Is the trade-off worth it?

Here are the same charts again with 0.5 volt allowed as the drop.

Wire Size

Wire Size

With the higher allowable voltage drop, the maximum current for a given wire size and length increases significantly. Our 4 AWG wire is supposedly acceptable for 116.5 amps of current or a really efficient 1,000-watt amplifier. The 2/0 cable can supposedly handle 186 amps of current. It would be a good choice for a similarly powerful low-efficiency amplifier.

Wire Size Reality Check

While charts and spreadsheet calculations are interesting, the reality is that there are practical thermal limits that can’t be exceeded. How exciting would 4,800 amps of current through a 4/0 conductor be in creating a fireworks show? The answer is fascinating.

The maximum current a conductor can handle continuously has a lot to do with the environment in which it is used. Under the hood of your car or truck, where it’s likely very hot, the hot wire will heat up even more as current flows through it. This has the effect of increasing resistance. More resistance for a given amount of current means even more voltage drop and more heat being generated.

To put constant current demands into perspective, electric arc furnaces like those used to create steel often use 40,000 to 60,000 amps of current. The conductors that pass this current are sized in the thousands of square millimeters. A 0 AWG cable is 53.5 square millimeters. The furnace cables are usually encased in liquid cooling systems to maintain the conductor temperature. Yes, liquid-cooled conductors.

Wire Size
Liquid-cooled Arc furnace conductors manufactured by Furukawa Electric. To put the size into perspective, those are 45-gallon drums in the background.

What Wire Size Does My Car Audio Amplifier Need?

What wire size you need depends on how your audio system will be used, the music you play, and the efficiency of the amplifiers. Rock or heavy metal music is more likely to have dynamic bass information, while rap or EDM is much more likely to have lengthy low-frequency notes. The energy the subwoofer amp requires will differ significantly for these two applications.

If you want to get the most power from your amplifiers, targeting a maximum voltage drop across the longest length of wire of 0.25 volt is a good reference point. If you aren’t as concerned about power as the installation cost, then the 0.5-volt drop chart is an acceptable concession.

Remember that the charts above are based on full AWG-sized, all-copper conductors. If your installer intends to use tinned copper, you might need a one size larger wire. If the wire is undersized or constructed of copper-clad aluminum, it’s anyone’s guess how much current it can handle. Work with a specialty mobile electronics retailer to choose high-performance amplifiers and appropriately sized power wires to ensure that your car stereo sounds great and performs reliably.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Motorcycle Speakers and Big Bass – A Match Not Made in Heaven

Motorcycle Speaker

We were recently talking with the owner of a motorcycle audio manufacturer. He mentioned that consumers seem to struggle with the concept that relatively small motorcycle speakers cannot produce large amounts of bass. In this context, a small speaker is something you’d find in the fairing or saddlebag on a motorcycle. By comparison, a large speaker would be an 8- or 10-inch subwoofer. Let’s look at how speakers work to explain why some are good for bass and others are best for midrange applications.

Speaker Design – Subwoofer or Midrange

This article will discuss 6.5-inch speakers, common in cars, trucks, motorcycles and boats. Let’s examine the predicted output response of two popular 6.5-inch speakers. The yellow trace is a JL Audio 6W3v3 subwoofer and the red is a Cicada Audio CX65.4 motorcycle audio midrange driver. We chose these drivers because their Thiele/Small parameters are readily available.

Motorcycle Speaker
Predicted frequency response of a Cicada Audio CX65.4 in red and a JL Audio 6W3v3 in yellow.

Throughout this article, we’ll unravel a few critical things about this simulation. The response graph you see here isn’t accurate below 100 hertz. Don’t fret; we’ll explain.

Frequency Response Considerations

The first data we want to analyze from the graph is the difference in midrange output. The Cicada Audio speaker (in red) shows good output through most of the audible range. The JL Audio subwoofer starts to roll off its output above 200 hertz.

First, we must clarify a crucial design decision for a speaker that plays a range of frequencies compared with a driver designed exclusively for bass duties. We’ll start with the mass of the woofer cone. The cone must be relatively light for a speaker to respond to signals up to 8 or 10 kHz. A midrange driver might have a moving mass specification of 10 to 15 grams. This would include the cone’s mass, the voice coil former and winding, half of the surround and half of the spider.

The moving mass specification for a subwoofer might be 50 grams. The increased mass adds inertia, making the cone harder to accelerate. The motor (voice coil winding and magnet) won’t be able to move the cone back and forth at high frequencies.

Motorcycle Speaker
The Cicada Audio CX65.4 is a high-efficiency coaxial midrange driver for motorcycles.

Voice Coil Inductance

The second item that affects high-frequency output is voice coil inductance. We’ve explained that an inductor opposes changes in current flow. For alternating current audio signals, high frequencies change direction thousands of times a second.

A speaker must have a large voice coil to handle large amounts of power. A large voice coil has more inductance and attenuates high-frequency information. The Cicada Audio midrange shown here has a voice coil inductance of 0.03 millihenry. The JL Audio 6W3v3 subwoofer has a voice coil inductance of 1.388 mH. This is logical, given that the winding is at least twice as long and likely has multiple layers.

We Need to Move Air

To reproduce low-frequency information, we need to move a significant amount of air. This means that a speaker needs a considerable amount of cone excursion capability. The Cicada driver, designed primarily for midrange duties, has a voice coil overhand-derived Xmax specification of 4 millimeters. On the other hand, the JL Audio subwoofer has an Xmax specification of 8.89 millimeters.

Let’s multiply those numbers by the effective cone area specification to see how much air the drivers can move. The Cicada can theoretically move 44.8 cubic centimeters of air, while the JL Audio subwoofer can move 107.48, which is 2.4 times as much.

Motorcycle Speaker
The JL Audio 6W3v3 subwoofer offers impressive excursion and low-frequency output capabilities for a relatively small driver.

Excursion Limits

Here’s where the frequency response chart above runs into an issue. The graph shows the drivers’ output when fed with 100 watts of power. We must also model the cone excursion behavior to understand a speaker’s suitability for a specific situation.

Motorcycle Speaker
Cone excursion versus frequency for our 6.5-inch speakers. Cicada Audio is in red, and JL Audio is in yellow.

The yellow trace shows us that the subwoofer cone doesn’t move as much for a given amount of power. This correlates back to its mass. However, the 8.89-millimeter Xmax specification tells us the driver will work fine down to just above 30 hertz at this power level. Below that frequency, there will be physical power handling problems.

The Cicada Audio driver is much more efficient. Much of this efficiency comes from the lower moving mass. This is achieved with a much lighter cone and shorter voice coil. Being limited to 4 millimeters of excursion shows that the driver cannot safely play audio frequencies below 100 Hz at a power level of 100 watts.

A drawback for use in another application often offsets every decision in designing a speaker for a specific application. A tweeter won’t produce bass, and a subwoofer won’t produce high frequencies. Midrange drivers might not make much bass or high-frequency information.

No Transfer Function

Now, specific to a discussion about motorcycle audio and powersports speakers, we’re at a considerable disadvantage compared with a car or truck because we don’t have an enclosed vehicle that offers some gain. The interior of a car or truck provides a significant bass boost. In fact, 20 to 30 dB of boost at frequencies below 30 hertz isn’t uncommon. There’s usually 10 dB of boost at 50 Hz. We call this effect cabin gain.

Even a moderately capable small speaker can reproduce a reasonable amount of low-frequency energy in a vehicle. The same happens in our homes. A single good-quality 12-inch subwoofer with 500 or 600 watts of power in a home theater system can give your couch or chair a good shake. It takes dozens of 15- or 18-inch subwoofers and thousands of watts of power at an outdoor concert to reproduce those frequencies at the same volume level.

Motorcycle Speaker
The cabin of a vehicle or room boosts bass frequencies to make them easier to hear. The approximate gain is based on JBL/Harman data.

We lack this gain when creating an audio system for a boat, motorcycle or side-by-side. This means our small speakers are on their own to produce usable amounts of bass information. If we want to reproduce bass, we need speakers that can move a significant amount of air. We also likely want to hear vocals and instruments.

Our little circle of performance, however, makes this almost impossible. We need a driver with a large motor and cone assembly to move a lot of air. A large motor assembly is heavy. Heavy cones can’t respond to high-frequency information.

What’s the Solution if We Want Bass?

The answer to getting bass on your motorcycle, boat or side-by-side is to add a subwoofer. It’s not going to rumble like the same-size driver in a car, but it will fill in a lot of the information below 150 hertz. Crucially, having a subwoofer means the small speakers don’t need to try to reproduce bass information. They can focus on midrange frequencies, which means they’ll need a lot less power and will sound much better.

Motorcycle Speaker
If you have a Harley-Davidson motorcycle and want great bass, Rockford Fosgate’s HD14-SBSUB subwoofer system is a great solution.

Is One of These Speakers Better Than the Other?

Before anyone thinks that the Cicada Audio or JL Audio speaker is better than the other, we’ll make it perfectly clear that each is designed for a different application. Which is better, a snowmobile or a top-fuel dragster? One is likely better than the other if you are in Alaska. It depends on what you’re trying to do.

The reality is that each speaker is designed for a specific application. JL Audio has many high-performance midrange speakers to accompany its subwoofers. Likewise, Cicada Audio has several woofers designed for motorcycle applications. Choosing the right speaker for your needs is the key to creating a mobile audio system that sounds great. Drop by a local specialty mobile enhancement retailer today and ask them for suggestions about speakers for upgrading your vehicle. Let them know your performance goals, and they’ll design a solution that will sound great!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: Motorcycle Audio, ARTICLES, RESOURCE LIBRARY

Product Spotlight: Mosconi Pro 4|30

Mosconi Pro 4|30

There are hundreds, if not thousands, of different options available when picking an amplifier for your car audio system. Some amplifiers focus on offering a diminutive footprint to simplify installation but sacrifice thermal stability. Others concentrate on producing prodigious amounts of power at the expense of audio signal purity. Mosconi’s Pro series amplifiers were designed to be reliable and sound great. Let’s look at the Pro 4|30 four-channel amp in this Product Spotlight.

Mosconi Pro 4|30 Specifications

As mentioned, the Mosconi Pro 4|30 is a four-channel amp that’s rated to produce 170 watts of power per channel when driving four-ohm loads. Output power increases to 225 watts per channel with two-ohm loads. Each pair of stereo channels can be bridged to drive a single four-ohm load and provide it with 450 watts of power. Mosconi states that the amp has a signal-to-noise ratio of -83 dBA, referencing one watt of power.

The amplifier chassis measures a robust 500 by 205 by 55 millimeters, or 19.7 inches long, 8.07 inches wide and 2.18 inches tall. The chassis design is unique in that the front and rear halves of the amp are wrapped in vertical aluminum plates. The rear third of the amp is mostly a finned heatsink with two cooling fans mounted on top. The center and bottom thirds of the amp conceal the circuit board.

Mosconi Pro 4|30
The Pro 4|30 has a unique chassis design.

Amplifier Connections and Features

All the power, signal, and speaker connections are made along the front edge of the amp using integrated terminal blocks. The hex-head set screws for the connections are accessible through openings in the top panel. An easily replaceable 150-amp mini-ANL fuse accessible from the top protects the amp from wiring mishaps.

The four sets of speaker connections are just to the left of the center of the chassis. Once again, terminal blocks with set screws accessible from the top of the amp ensure a reliable connection. Installers should pay close attention to the polarity labels, as the adjacent channels are inverted when viewed left to right.

Finally, on the left side of the amp, we find the input for the optional RTC remote level control and two sets of RCA input jacks.

Mosconi Pro 4|30
All connections are made along the front edge of the amp to keep the installation tidy.

Audio Processing Options

While the Pro 4|30 may look simple at first glance, it’s got all the features your installer will need to extract excellent performance from your speakers. The settings for Input A and Input B are once again accessible from the top panel and located at the amp’s far left end. The amp can accept audio signals from 350 millivolts up to 12 volts. The amp has a button that enables the high-level input range. When the high-level input is activated, the amp monitors the input for the presence of the BTL offset voltage and activates the amp automatically when detected. A Direct DSP (DDSP) button bypasses much of the audio processing for those instances when using a digital signal processor and locks the input sensitivity to 5.3 volts.

Concerning crossovers, Input A has a -12 dB/Octave high-pass filter that can be set between 43 and 500 hertz, or 430 Hz to 4 kHz when the x10 multiplier button is depressed. Input B has a high-pass crossover that’s adjustable from 18 to 220Hz and a low-pass crossover adjustable from 43 to 500 Hz. It would be nice if the Input B low-pass crossover had an x10 button. That said, most installations with this amp will include a digital signal processor.

Mosconi Pro 4|30
All the audio processing controls are located on the top panel just above the RCA input jacks.

High-Bias Operation

If you’d read our articles on amplifier distortion, you’ll know that crossover distortion in Class-AB designs can, when not designed or calibrated properly at the factory, result in sound quality issues, especially at low volume levels. Mosconi’s taken a novel approach to maximizing sound quality by configuring the amp to operate in what they call AAB mode. The output devices are biased to operate in full Class-A mode up to 30 watts of power. Class-A operation eliminates the crossover distortion issue. However, this operation mode means the amp will turn the output devices on halfway when no signal is played. This increases current consumption, so the amp will get quite warm. When running this beauty, you’ll want to ensure your vehicle has a robust electrical system.

Once the output level exceeds 30 watts per channel, the amp reverts to conventional, though still sonically excellent, Class-AB mode. In short, you should experience impressive clarity at low volume levels and still be able to crank things when the mood requires. Very cool!

Mosconi Pro 4|30
The Pro 4|30 circuit board uses high-quality surface-mount devices, and the output MOSFETs are clamped to an extruded aluminum heatsink.

High-Quality Car Audio Amplification

Though a handful of sound-quality-focused amplifiers are still on the market, they are becoming rarer. You can find smaller, more efficient amplifiers to power your car audio system. However, we suggest formally auditioning the unique Mosconi Pro 4|30. It would be well worth the time investment if you plan on installing a truly high-end audio system in your vehicle. You can find an authorized Mosconi dealer near you using the Find a Dealer tool on the Mosconi America website.

Be sure to follow Mosconi on Facebook and YouTube to learn more about their amazing car audio products.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Mosconi

A Look at the Importance of Tweeter Installation Hardware

Tweeter Installation

High-quality speakers and proper installation are crucial when upgrading your car’s audio system. The ease with which your installer can reliably integrate tweeters into your vehicle will determine a portion of the labor cost. Will the technician need to fabricate a mounting bracket? Will they need to create a little pod? Is there even enough hardware provided to ensure a reliable and safe installation? Let’s look at some tweeter installation hardware solutions.

Why Are Tweeters Important for Great Sound Quality?

Before discussing tweeter installation, we should review the importance of having dedicated tweeters in a car audio system. By definition, tweeters are relatively small speakers designed to play the highest audible frequencies. They vary from 0.5 to over 1.25 inches in size. The larger tweeters can typically play lower frequencies, making them ideal for two-way front speaker systems. However, a large diaphragm might have some resonance at extremely high frequencies.

Tweeters are made from a variety of materials. Textile domes like silk, metal domes like aluminum, titanium and beryllium and plastic materials like polyetherimide are among the most popular. While the metal versus textile performance discussions will go on forever, what’s more important is that the tweeter diaphragm doesn’t have resonance issues. Most companies add a damping material to the diaphragm to prevent this. The damping applies to both textile and metal designs.

Most tweeters in the car audio market use a dome-shaped diaphragm. However, some use a ring-radiator design, like the tweeters in the Rockford Fosgate T4652-S set. The concept of the ring tweeter is to eliminate the chance of resonance in the center of the dome. While it’s unwise to make blanket statements about one design over others, we were very impressed with the clarity of the T4 ring radiator tweeter.

Tweeter Installation
The Rockford Fosgate T4652-S tweeter uses a ring-radiator design, which eliminates resonance in the dome’s center.

Flush-Mount Tweeter Installation Options

There are four common options for tweeter installation. First, we have flush-mounting. In this type of installation, the tweeter and a grill are mounted in a panel, and the result is basically flush. This means the tweeter may only protrude a few millimeters or 0.25 inch. This type of installation requires that the panel be modified to accept the tweeter, which means a hole between 1 and 1.5 inches must be created.

The most basic reliable tweeter mounting method uses a U-shaped spring-steel bracket that bolts to the back of the tweeter assembly. The bracket must be spring steel to retain tension and hold the tweeter securely.

Tweeter Installation
The Hertz ML 280.3 Legend uses a high-quality spring-steel bracket to secure the 1.38-inch high-frequency driver to the installation panel.
Tweeter Installation
A Hertz ML 280.3 is installed in an A-pillar. Image: Dan Wilson, Columbus Car Audio.

Some companies have created more complex installation solutions for flush-mount applications. For example, KICKER’s QS-Series speakers include a nut that threads onto the back of the tweeter to keep it pressed tightly against the mounting surface. The legs of the nut can be trimmed to work with mounting surfaces of different thicknesses.

Tweeter Installation
KICKER includes a surface-mount trim ring and adjustable depth locking nut to secure their tweeters.
Tweeter Installation
The KICKER Chevrolet Cruze features QS-Series components mounted in custom pods in the doors.

Rockford Fosgate’s Dual Discrete Clamp mounting solution is one of the most elaborate mounting options we’ve seen. The DDC comprises two cast aluminum brackets sandwiched on either side of a mounting surface to hold the tweeter in place. Once the two clamps are secure, the tweeter locks into place, and a trim piece finishes the installation.

Tweeter Installation
The Dual Discrete Clamp hardware, included with many Rockford Fosgate tweeters, ensures a rock-solid installation.
Tweeter Installation
This Mitsubishi Eclipse features three Punch Series 6.5-inch component sets in the front to support 16 subwoofers.

Surface Mounting Options

The second type of installation is to mount the tweeters on the surface of a dash or door panel. This is less invasive as there doesn’t need to be a huge hole cut. That said, holes for wiring or hardware might be required depending on the location. Many tweeters include surface-mounting solutions that position the tweeter parallel to the mounting or at an angle. Angled mounting solutions are helpful when mounting a tweeter off-axis to the listening position. Ideally, a tweeter should be within 15 to 20 degrees of being on-axis with the listener. Alternatively, the tweeter can point at the windshield, dispersing high-frequency information into the listening area.

Tweeter Installation
The 1-inch Sony Mobile ES tweeter in the XS-162ES and XS-163ES sets includes flat and angled surface-mounting hardware.

Tweeter Pods

Another option for installing tweeters is to use pods included with the system. These pods are typically bullet-shaped and mount through a single hole. The design should have a way to conceal the wiring for a neat appearance. You will want to ensure that the pods can be directed at the listening position for maximum performance.

Tweeter Installation
KICKER’s KST200 and KST250 tweeters and several component sets include pods to simplify tweeter installation.

Original Equipment Locations

Most modern vehicles have tweeters integrated into the factory audio system. These are often behind small grilles in the A-pillars, the dash, the doors near the release handle, or the sail panels in the front corner. Often, the factory tweeters are quite small in diameter and overall size. As such, it can be tricky to replace them with aftermarket tweeters. Some companies offer tweeter designs specifically engineered to work in original equipment locations, eschewing grilles and other hardware.

The key to a successful installation in these locations is reliability. We’ll be very clear in stating that mounting with hot glue or butyl rubber is unsatisfactory. These materials can quickly melt when the vehicle interior gets hot in the summer, causing the tweeters to fall out of place. If there aren’t options for mechanical fastening solutions, an epoxy adhesive like 3M Scotch-Weld DP8005 designed to work with plastics is an acceptable alternative.

Tweeter Installation
A Rockford Fosgate tweeter mounted in the original sail-panel locations of this BMW X1 XDrive28i CUV.
Tweeter Installation
Musicar Northwest designed and 3D-printed custom mounting brackets for a set of Morel tweeters and midrange drivers for a Lucid Air audio system upgrade.

Custom Installations

Of course, a custom installation solution for your tweeters is always an option. You may want them to blend into the A-pillar, dash or door. You may want a technician to create a custom pod that puts the tweeters in a specific location or points them in a particular direction. You may wish for the installation to look unique. So long as the guidelines about tweeter directivity are heeded, you can have the technician construct almost anything.

Tweeter Installation
An Audison Thesis-Series tweeter mounted in a low-profile custom A-pillar mount. Image: Dan Wilson
Tweeter Installation
A Rockford Fosgate T-4652-S tweeter installed in the door of a Chevrolet Corvette.
Tweeter Installation
Custom pods with an OE look for a set of Morel tweeters in a Ford Raptor by Musicar Northwest.
Tweeter Installation
A set of custom pods for Sony Mobile ES tweeters by Soundbytez Car Audio.

The Importance of Proper Tweeter Installation

While a tweeter doesn’t seem like a large item, in the unfortunate event of an accident, the last thing you want is to get hit by a tweeter that’s come out of place. Yes, this is a bit extreme. However, true professionals put significant effort into ensuring that their upgrades to our cars and trucks are safe and reliable. Do you want a tweeter to fall into the door or an A-pillar because it was held in place with hot glue? Certainly not. When shopping for car audio speaker upgrades, drop by a local specialty mobile electronics retailer and ask them which component speaker systems they offer. Be sure to inquire about how they integrate the tweeters into client vehicles.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio

Product Spotlight: Focal PS 165 SF

Focal PS 165 SF

When it comes to premium car audio speaker upgrades, most enthusiasts know that Focal offers more solutions than any other. With offerings ranging from OE replacement to benchmark quality, there’s a speaker at a price point for every budget. In this spotlight, we will look at the PS 165 SF two-way, 6.5-inch Slatefiber kit. Let’s check it out!

What is the Focal PS 165 SF kit?

The PS 165 SF speaker kit includes a pair of 6.5-inch woofers, two 20mm tweeters and a set of passive crossover networks.

The woofers are based around a cast aluminum basket. The basket has five sets of twin spokes connecting the mounting flange to the base in what they call the Rotor Effect Basket. Four large (roughly 1-inch) slots in the mounting lip secure the basket to the vehicle. The basket has a bluish-slate color that matches the woofer cone color. Electrical connections are handled by a set of quick-connect terminals housed in a custom-tooled plastic block. The tinsel leads are neither rubber-coated nor sewn to the spider, but the plastic block has dedicated routing to ensure the leads do not slap the cone or spider at high excursion levels.

Focal PS 165 SF
The wire connection terminal block includes routing for the tinsel leads to ensure they operate silently at high output levels.

Slatefiber Woofer Features

The woofer cone is made from non-woven recycled carbon fibers and uses the marketing name Slatefiber for its blueish slate stone appearance. The random design of the cone helps with damping, resulting in smoother high-frequency response. As with many Focal speakers, there’s no dust cap, which helps reduce the mass of the moving assembly to improve upper midrange performance. A large rubber surround provides cone damping and a reliable, flexible seal at the top of the cone. At the base of the cone is a 25mm voice coil former that gives the set an 80-watt continuous power rating. A single ceramic magnet powers the woofer.

A quick look at the woofers’ specifications shows a resonant frequency of 66.8 Hertz, a Qts of 0.592 and an effective surface area of 132 square centimeters. Focal has chosen a slightly lower-than-normal impedance for the woofer, with the DC resistance being 2.8 ohms. This will increase the maximum power available from whatever amplifier you choose to drive the kit.

Focal PS 165 SF
A butyl rubber surround ensures long-term reliability for the Slatefiber woofers.

Focal Aluminum Magnesium Tweeter

The kit includes a pair of Focal’s proprietary aluminum and magnesium inverted hard-dome tweeters. The tweeters have an effective radiating diameter of 20mm, a DC resistance of 4 ohms and a resonant frequency of 2.6 kHz. Their efficiency is rated at 93 dB at 2.83V at 1 Meter.

While tweeter performance is crucial to hearing all your music, installation flexibility is equally important. The Al/Mg tweeters have a flush mounting cup with a grille and integrated phase disc. The raw tweeter can also be installed without the cup in OE applications. The kit also includes surface mount pods for the tweeters when used with their cups. This will allow your installer to mount the tweeters to your dash and aim them toward the listening position.

Focal PS 165 SF
The Aluminum/Magnesium tweeters can be mounted without their cups in OE locations.

Passive Crossover Networks

A crucial key to the performance of a component speaker set is to use it with either a properly configured and calibrated digital signal processor or with the right passive crossovers. Focal includes passive crossover networks with the PS 165 SF kit. Uniquely, the woofers’ low-pass filters and the tweeters’ high-pass filters are in different housings. This allows your installer to split the wiring and mounting locations if you have a dash or A-pillar tweeter location and a door location for the woofer. The tweeter crossovers include a three-position switch on the circuit board that allows your installer to reduce tweeter output by 3 or 6 dB to compensate for different mounting distances and listening preferences.

Focal PS 165 SF
The passive crossover networks for the woofers and tweeters are in separate enclosures to make installation easy.

Focal Slatefiber Speaker Design

Looking at all the features of the Focal PS 165 SF Slatefiber set, its efficiency is one of the many features that stand out. As such, these speakers can be used effectively with either a factory-installed or aftermarket radio using “deck power.” If you want more output, a small to medium-sized stand-alone amplifier will provide more output and likely improve clarity—the flexible crossover design complements the OE upgrade suitability of the kit.

If you are in the market for a set of speakers to enhance your mobile audio system, visit a local authorized Focal dealer and ask about the PS 165 SF Slatefiber set. You can find a dealer near you using the store locator tool on the Focal website. For more information on Focal products, be sure to follow them on Facebook, Instagram and on YouTube.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: RESOURCE LIBRARY, ARTICLES, Car Audio, PRODUCTS Tagged With: Focal

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