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Product Spotlight: AudioControl ACM Amplifiers

AudioControl ACM AmplifiersAudioControl has been very busy over the past few years developing new processors and amplifiers. At the 2018 Consumer Electronics Show in Las Vegas, AudioControl launched an entirely new series of micro-sized amplifiers designed to give enthusiasts amazing amplification performance from a compact package. While the amplifiers are small, they have the features and performance that you expect from the top audio company in the Pacific Northwest. Let’s check out the new Audio Control ACM amplifier series.

Introducing the new AudioControl ACM Amplifiers

The new ACM series includes three models. The ACM-4.300 is a four-channel amplifier that will produce 50 watts per channel into 4 ohms, 75 watts per channel into 2 ohms and is bridgeable to provide 150 watts into a pair of 4-ohm loads. The two-channel ACM-2.300 provides 75 watts from both channels into 4 ohms, 150 watts into 2 ohms and can drive a single 4-ohm load with up to 300 watts of power. Finally, the cool ACM-1.300 is a full-range monoblock amp that provides 175 watts into a 4-ohm load and an impressive 300 watts into a 2-ohm load.

Big Power in Compact Package

AudioControl ACM AmplifiersSize matters when it comes to fitting amplification solutions into modern vehicles. The new ACM series amplifiers share a common stamped steel chassis design. All three amps are 9.4 inches long, 3 inches wide and only 1.75 inches tall. Connections are made along the long bottom edge of the amplifier and include quick-release speaker connectors, RCA jacks and a large terminal block for power, ground and remote connections. Forgoing the conventional pigtail wire connection design common to most other micro-sized amplifiers not only makes the ACM amps easier to install, but easier to service and move from one application to another.

Easy-to-Configure Design

AudioControl ACM AmplifiersThe presence of the sensitivity and signal processing controls on the top of each amplifier is not by mistake. Once installed in a vehicle, trying to access controls on the end-panel of an amp is inconvenient and frustrating. The new ACM amps have a removable top panel that conceals each amplifier’s controls.

Each amplifier includes a stereo gain control that is adjustable from 500mV to 6.0 volts to ensure compatibility with almost any source. A set of terminals on the side of the amp allows for direct connectivity to speaker-level signals for easy factory audio system integration. The speaker-level inputs will accept as much as 40 volts of signal. Speaking of integration, all three amplifiers include AudioControl’s GTO (Great Turn-On) circuit. When enabled, GTO will activate the amplifier as soon as it senses the factory source unit or amplifier is on.

To assist in setting up the amplifiers accurately, AudioControl has included a “Maximized” LED for each channel pair on the two- and four-channel amps, and one on the monoblock. The LED illuminates when the output level has reached the point that is starting to clip.

Powerful Signal Processing Features

AudioControl ACM AmplifiersThe ACM-4.300 and ACM-2.300 include selectable 80 and 120Hz high-pass crossovers. The ACM-1.300 includes an 80 or 120Hz low-pass crossover. All of the filters have -12dB/octave slopes and a Linkwitz-Riley response.

The ACM-1.300 also includes AudioControl’s proprietary AccuBASS system. AccuBASS processing increases output beyond an adjustable threshold to help restore lost low-frequency information. Many factory-installed sound systems reduce bass output at high volume levels. AccuBASS can help to restore the fun in your music.

Finally, each amplifier includes AudioControls’s PFM (Programmable Frequency Match) Infrasonic filter. On the 4.300 and 2.300, the filter is set to 32 Hz, and on the 1.300 it is set to 24Hz. These filters help to optimize power delivery and reduce speaker excursion issues at extremely low frequencies. With PFM onboard, your music will sound better and play louder.

Take Your Audio System to a New Level with the AudioControl ACM Amplifiers

If you are listening to your music using deck power – be it a factory-installed radio or an aftermarket source unit – drop by your local Authorized AudioControl dealer and check out the new ACM series of amplifiers. These amps have the power, features and performance required to take your listening experience to a completely new level of musical enjoyment.
This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: Car Audio, PRODUCTS, RESOURCE LIBRARY Tagged With: AudioControl

Subwoofer Enclosure Locations – Finding Space For Bass

Enclosure LocationsWhen it comes to bang-for-the-buck upgrades to any audio system, none can beat the dramatic difference of adding a subwoofer. Factory audio systems are getting pretty good at producing a soundstage in front of the listener, and they are EQed well enough not to be painful to enjoy – but one thing they all have in common is anemic, wimpy, thin and muddy bass response. Adding a quality subwoofer system can fix that.

What are optimal subwoofer system enclosure locations? If you think of the stereotypical car audio system, the subwoofer enclosure was usually something that took up most of the trunk or hatch area of the vehicle. You’d pop the trunk, and there would be just enough room for a knapsack or maybe a duffle bag. Did these systems sound great? Absolutely! Did they leave room for golf clubs, luggage or a keg of beer? Not a chance!

Subwoofers for Compact Enclosures

Enclosure LocationsLooking through recent photos of custom car audio installations will reveal that subwoofer enclosures no longer take up space they once did. Why is this? Companies that design and manufacture subwoofers are conscious of the need to provide amazing performance without taking up a lot of space. There are now dozens of subwoofers designed specifically to fit into very shallow locations – like behind or under the seat of a pickup truck. These same subwoofers are also designed to produce deep bass from minimal enclosure volume requirements.

When a company designs a speaker, they have to balance three basic performance criteria – low-frequency extension, efficiency and enclosure volume requirements. In general terms, you get to pick two, and the third will suffer. For a small enclosure driver, it’s often efficiency that takes a small hit. Regaining some of this reduction in output is credited to careful and thoughtful computer modeling and the use of stronger magnets and tighter tolerances withing the motor assembly of the subwoofer. Efficiency isn’t as important as it used to be – we have many high-power amplifiers that don’t cost an arm and a leg.

Conventional Enclosure Locations

Enclosure Locations
Custom enclosure and amplifier rack in SUV hatch.

If you drive a hatchback or SUV, a subwoofer sitting behind the rear seat is still very common. This location works quite well because the output of the subwoofer system is in the same listening environment as it would be in a sedan. Your installer may choose to face the subwoofer in almost any direction – rearward, forward, up or down. Firing the subwoofers down into the floor can act as a bit of a filter for high-frequency energy, so your midbass speakers have to be up to the challenge.

If you drive a sedan, your subwoofer system is probably at the back of the trunk against the rear seats – much like in hatchbacks or SUVs. Again, the direction in which the speaker points varies based on the system design and cosmetic layout. Firing the subwoofers forward provides room to mount amplifiers and processors on the rear of the enclosure.

Another popular application for sedans is to fire the subwoofers through the rear deck or ski pass-through between the seats. These techniques dramatically improve the midbass response from the subwoofer and ease the requirement for large midbass drivers in the front of the vehicle.

A Little Custom, A Little Fun

Working with unique locations can offer a dramatic increase in the available storage area in the vehicle. There are two classic locations for a custom subwoofer enclosure: in the spare tire well or the corner of the trunk or storage area.

Enclosure Locations
A creative installer can fit a surprising amount of equipment in a spare tire well, while leaving the trunk fully functional.

The spare tire well of many vehicles can offer an amazing amount of space for subwoofers. In many cases, a skilled installer can include your amplifiers and processors in that same space. Some thoughtful design and careful planning can leave you with your entire trunk available for cargo. You do need a plan for not having your spare tire with you – but the local auto service is always a phone call away.

Enclosure Locations
This SUV side enclosure takes up almost no usable space.

Building an enclosure in the corner of your trunk can offer excellent performance without a dramatic effect on available cargo space. Installers love to get creative with these enclosure designs. Classically, these enclosures have been molded to the vehicle with layers of fiberglass. Layered fiberglass construction offers excellent use of space, sometimes allowing for a larger subwoofer to be used with the same low-frequency performance, or even for a vented enclosure design. The drawback to fiberglass can be the time it takes for construction, and the smell. Fiberglass resin has a strong odor. It won’t last long, but that aspect is worth keeping in mind.

Another construction technique that is becoming more and more popular is stack-fab. The stack-fab process uses multiple layers of wood. Each is cut to fit the contour of the vehicle, then glued one on top of another until your installer has built up to the top of the desired space. Stack-fab construction can be quite efficient in terms of time. The enclosure is ready to go right away. There is no waiting for layers of fiberglass and resin to dry. Stack-fab isn’t as efficient on internal air space, but produces a very rigid and well-damped result.

Unique Applications and Solutions

Enclosure Locations
In many instances only an inch or two of legroom has to be given up to utilize a footwell enclosure.

What if your vehicle is a little more challenging than most? Say you have a small two-seater like a Miata or an NSX, but want great sound? There is no room behind the seat for anything. What’s an auto sound enthusiast to do? The passenger side footwell can be a great location for a subwoofer. A skilled installer can get a good-quality 8- or 10-inch subwoofer in there while leaving more than enough room for the passenger to sit comfortably in the vehicle.

Wherever you and your installer decide to place your subwoofer enclosure, the addition of good, solid low-frequency musical information will dramatically improve the overall performance of your mobile audio system. Search the Internet and join one of the many car audio groups on Facebook to gather ideas. Once you have a few thoughts, talk with the product specialist and installer at your local mobile electronics specialist retailer. No doubt, the result will be amazing!

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Passive Vs Active Crossover Networks

Crossover NetworksTo optimize the performance capabilities of a speaker, it should operate within the frequency range for which it was designed. A woofer or subwoofer won’t be able to reproduce high frequencies accurately. A tweeter will self-destruct if you ask it to try to play bass frequencies. For this reason, we use three- and four-way speaker systems in most vehicles. That means using crossover networks.

The purpose of a crossover is to split up the frequencies that pass through it. We are going to delve waist-deep into the benefits and drawbacks of the crossovers commonly used in car audio system component speaker sets.

How a Passive Crossover Network Works

Crossover Networks
This inductor is one of the pieces used in a passive network

A passive crossover network is a component or group of components that is installed on the speaker wires between an amplifier and a speaker. The behavior of these components attenuates portions of the signal going to the speaker itself. Four components are commonly used in passive networks: capacitors, inductors, resistors and protection devices.

The combination and configuration of these components are used to create a low-pass, high-pass or band-pass filter network. Resistors are used to attenuate the output of devices, or sometimes used as part of a frequency-dependent impedance correction circuit called a Zobel network. Some manufacturers include light bulbs, diodes or some form of positive temperature resistors to limit how much voltage a tweeter receives. Completely passive active networks have been available (but that was a long time ago).

How an Active Crossover Functions

Crossover NetworksAn active crossover is a device that modifies an audio signal before the amplifier. It works on line-level or preamp signals only. Active crossovers combine op-amps, resistors and capacitors to alter different frequency ranges of the signal. Unlike passive networks, active crossovers can be designed to increase the level of the signal, but only in the case of powered filters. Active networks are often include other functions, such as remote level controls and bass boost circuits.

Benefits of Passive Crossovers

Crossover Networks
The switches on this passive crossover allow for attenuation.

It is worth noting that each passive network is designed to work at a specific frequency for a specific speaker. If you change the speaker, the filter will not respond in the same way. In some cases, if the impedance of the speaker is significantly different from the one the network was designed for, the speaker may be damaged, or portions of the network may become damaged.

Passive networks are easy to use. You run a wire from your amplifier to the input of the network, then connect each speaker to the output. Other than mounting the network in a dry location that is free from vibration, that’s about all you have to consider.

Some passive networks include some form of output level attenuation. Most use a two- or three-position switch. Some use jumpers. An extremely high-end network may include a variable L-pad or potentiometer for extreme fine-tuning capabilities.

Passive crossovers allow you to split the power of a single amplifier channel to drive two different speakers. Fewer amplifier channels can dramatically reduce the system cost, since you only need a pair of amplifier channels to run a full set of speakers.

Limitations of Passive Crossovers

Since a passive crossover network is designed for a specific frequency, once the parts are chosen and assembled, there is no way to change that frequency without introducing new or additional parts.

Designing a passive crossover can be somewhat complex. The simplest of networks rely on some basic assumptions about the impedance of each speaker at the crossover frequency. Designing a network that compensates for the complex reactive load that speakers create as they move is difficult. It requires computerized modeling software and a way to measure the impedance and frequency response of the speaker at varying drive levels.

High-quality passive crossovers are designed for a specific distance and angle between the woofer and the tweeter. If the network is designed for the speakers to be far apart, moving the speakers close together will cause the signals to sum incorrectly. Even changing the angle of a speaker can have a dramatic effect on the frequency response at the crossover point.

Passive crossover networks have limitations in how much power they can handle. The magnetic fields created in an inductor have a limit. The voltage applied to a capacitor also has a limit. Crossover networks can and do overheat and fail if too much power is sent to them.

Passive crossover networks consume energy. Using a speaker system with a passive network is not quite as efficient as one using an active filter network. The overall efficiency of the crossover network depends on its complexity and the quality of the components used in the network.

Passive crossover networks are somewhat susceptible to noise. If you run a wire with an AC signal on it past the inductor in a passive network, the network can easily pick up that signal and add it to the audio signal. Choosing a safe location to mount passive crossover networks is important.

Benefits of Active Crossovers

Crossover NetworksMost active crossover networks are adjustable. That means by turning a knob or moving a switch, you can change the crossover frequency. This flexibility makes active crossovers suitable for use with almost any speaker system. Most active crossovers also include level controls, so you can easily fine-tune the level of the midrange and tweeter to compensate for different mounting locations.

Active crossovers don’t care how powerful your amplifiers are because they process the signal before it enters the amplifier. Active crossovers are also not very sensitive to temperature variations, so they can be very accurate, all the time. If one of the amplifiers channels in an active crossover system clips, the distortion only affects that single channel.

Challenges of Active Crossovers

Because active crossovers are universal in design, being able to set crossover frequencies accurately can be challenging. Labels on potentiometers are notoriously inaccurate. Most active crossovers have fixed attenuation slopes. You can’t change these slopes to compensate for response characteristics or placement variations. Unless the speaker manufacturer provides it, or you have extensive experience in measuring the electro-mechanical and acoustic response of the set of speakers, knowing what frequency to cross speakers over at can be difficult. Too low and you risk damage to the tweeter. Too high and you get distortion from the midrange. Many speaker combinations also require the over- or under-lap of the crossover frequencies to produce a flat response.

An active crossover requires a dedicated amplifier channel for each speaker. These extra channel requirements can increase the cost of designing a system.

The Perfect Solution

Crossover NetworksIf there is no limit to your budget, the ideal crossover solution for a set of speakers is an active crossover with a Digital Sound Processor performing the filtering. A DSP will offer adjustable crossover frequencies, and most offer adjustable crossover slopes and alignments.

No matter what you choose, it’s a good idea to spend some time with a high-resolution RTA to make sure your system is set up for the smoothest, flattest response possible at the crossover frequency.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY

Are Single or Dual Voice Coil Subwoofers Better?

Voice CoilWhen it comes to buying subwoofers, a lot of people have questions or make assumptions about the benefits and drawbacks of single voice coil and dual voice coil versions. Understanding the differences between them requires a slightly enhanced understanding of how an amplifier works. We cover both topics in this article.

How an Amplifier Works

An amplifier is a simple device that takes an audio signal (from your radio, for example) and increases the voltage. That’s it.

You may (logically) be asking yourself, “Why do we call it a power amplifier?” We get an increase in power because the speakers we connect to the outputs of the amplifier have a low impedance. In car audio, we typically see loads between 1 and 4 ohms. This low impedance, combined with the increased voltage of the audio signal in the amplifier, causes relatively large amounts of current to flow through the voice coil of the speaker. This current flow causes a magnetic field and, subsequently, the voice coil moves toward or away from the magnetic field created by the stationary magnet on the speaker.

(OK, maybe this didn’t stay as simple as originally planned.)

Amplifier Load Determines Amplifier Power

Voice Coil
Ohm’s Law Pie Chart
Let’s use an example of an amplifier that has a peak output voltage of 20 V. We don’t need to worry about the fact that this is an alternating current signal – we will examine this at a single point in time. With 20 V applied to our voice coil, let’s say we have a 4 ohm impedance on this coil. Ohm’s law states that a potential of 20 volts applied across a resistance of 4 ohms will result in 5 amp of current to flow. Using the equation P (Power) = Voltage x Current, we get 20 x 5, or 100 watts of power. If we change the impedance of the load to 2 ohms, we double the current to 10 amps, for a resulting power level of 200 watts.

If you look at the specifications for an amplifier, especially a subwoofer amplifier, you will see power ratings at different load impedances. In most cases, unless the voltage of the power supply in the amplifier is adjustable, amplifiers will make more power as the load impedance decreases.

What About These Subs?

Deciding which subwoofers to buy depends on the amp you are using and the number of subwoofers you are going to use. You want to choose a combination of subwoofers that will let you wire the voice coils together to an impedance that will allow the amp to make the power you want. Let’s look at several examples.

Example 1

Voice Coil
Images courtesy of JL Audio

We have the option of two different fictional subwoofers, each rated for 750 watts of continuous power handling. One subwoofer has a single 4 ohm voice coil. The other subwoofer has dual 4 ohm voice coils.

The dual voice coil subwoofer can have its coils wired in series to produce an 8 ohm load, or in parallel to produce a 2 ohm load. To complete this fictional example, we have an amplifier that will produce 400 watts into a 4 ohm load and 700 watts into a 2 ohm load. We have a small car and want to use a single 12 inch subwoofer in a large vented enclosure to get maximum low-frequency output. What sub should we use?

If we use the single voice coil subwoofer, the amplifier will not make full power in the 4 ohm load. We should use the dual voice coil subwoofer and wire the voice coils in parallel to present the amp with a 2 ohm load.

Example 2

Voice Coil
Images courtesy of JL Audio

In this example, we have the same electronic equipment, but the vehicle is a large SUV. There is a lot of room for subwoofers, and the owner wants to list to reggae, loudly. The owner has listened to a friend’s system and found out that a pair of subs matches his listening preferences perfectly. Which subs should we use?

If we use the dual voice coil subs, we have three options for wiring the four (two on each sub) voice coils together. We could wire all the coils in parallel. Parallel wiring will present the amp with a 1 ohm load. Most likely, the amp will go into protection because the load is too low. We could wire all the coils in series to present the amp with a 16 ohm load – but that’s not going to happen. We could wire the voice coils on each subwoofer in series, then parallel the pair of subwoofers to get a 4 ohm load. A 4 ohm load is not ideal.

If we use a pair of single voice coil subwoofers, however, and wire the subs in parallel, we get a 2 ohm load. Happy amp and happy customer!

Choosing and Wiring Subwoofers

  • Voice CoilYou can use as many subwoofers as you want on a single amplifier.
  • You must use all the voice coils on each sub. If you need a 4 ohm load but have a dual 4 ohm sub, using only one coil is going to cause issues. Bad issues.
  • Wire all the subwoofers you choose so the current going through each subwoofer is the same. In most cases, this means using pairs of subs. In the past, several companies offered dual 6 ohm voice coil subs that could be wired in groups of three to present amplifiers with standard load impedances of 1 or 4 ohms.

Do not wire one dual voice coil subs in series and one in parallel before connecting the subs together in parallel. You will get more current through the (parallel) low-impedance subwoofer. This imbalance will upset the performance of the enclosure and wreak havoc with the reliability and quality of your system. This is unrelated to the wiring of multiple subwoofers, but: Don’t mix and match different subwoofers. Each has its enclosure requirements and response characteristics. There is no way to guarantee that the output of two different subwoofers will sum positively at all frequencies.

So, Which Voice Coil Configuration Is Better?

The answer to the question “which is better” is neither. SVC and DVC subwoofers are simply two different options when buying. They are analogous to a tire manufacturer offering different-sized tires for different vehicles – there is an application for each.

Adding a subwoofer system should be one of the very first things you do to upgrade a factory audio system. When you are ready to make the leap into the realism, impact and dynamics that a great subwoofer can add, drop by your local car audio specialist retailer. They would be happy to work with you to design a system that meets your performance expectations.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, RESOURCE LIBRARY, Uncategorized

What Is Signal-To-Noise Ratio, And Why Does It Matter?

Signal-To-Noise RatioMost people understand the importance of amplifier power specifications. In most cases, more power is a good thing, that is, until you reach the thermal or suspension limits of the speakers you are using. One specification that is also very important in a mobile electronics amplifier, processor or source unit is Signal-to-Noise Ratio. In this article, we are going to explain what S/N Ratio numbers are and why they are important.

All the Noise, all the Time!

Signal-To-Noise RatioIt just so happens that when you pass a signal through any device – like a piece of wire, resistor, capacitor, inductor, transistor or anything else you can think of – a tiny little bit of noise is added to the signal. There are many different kinds of noise. The random motion of electrons bouncing around as they pass through a device causes thermal noise. Higher temperatures result in more noise. Another common noise is Shot Noise. The difference in arrival times of electrons as they cross a barrier or gap between two materials causes Shot Noise. Devices like transistors and diodes, which have different layers of materials inside, are common sources of Shot Noise. There are many more types of noise.

As you can imagine, the amount of noise generated by any one of these devices is minuscule. When you add up a little bit of noise from a bunch of components, then you amplify the resulting signal, the amount of noise in the output of a circuit grows dramatically.

Noise happens in source units, signal processors and amplifiers. Once you add noise to the signal chain, it’s essentially impossible to remove it.

The Sound of Noise

Signal-To-Noise RatioAn easy way to hear what noise sounds like is to connect a set of headphones to your laptop computer and turn the volume up fairly high. You’ll hear a hiss through the headphones. That’s noise. (Note: Please be careful, we want you as an audio enthusiast for life. Take those headphones off before your computer plays a sound and you risk damaging your hearing.)

How We Measure Noise

Signal-To-Noise RatioThere are a few ways to quantify the noise an electronic component creates. One method is to simply state the noise on the output of the device in absolute terms. The measurement could be in volts or watts, and quantifies the amplitude of the noise signal. You won’t see this used to describe audio components, however.

The most common method of quantifying the noise that a product adds to the signal is to compare the noise level to that of the audio signal coming out of the device. Because the difference in these levels can be quite large, we state the ratio of the signal level to the noise level using the decibel (dB) scale. The decibel scale is logarithmic. As such, a difference of 6 dB represents a doubling of the amplitude ratio, 20 dB is ten times the amplitude, 40 dB is 100 times, 60 dB is 1000 times and 80 dB is 10,000 times and so on.

Let us look at a moderate quality amplifier – nothing awesome, nothing disastrous. We see that this fictional amplifier has a S/N Ratio of -82.3 dB when referenced to 1 watt of power output into a 4-ohm load. What does that mean? Well, first, we know that to produce 1 watt of power into a 4-ohm speaker, we need 2 volts RMS of signal coming out of the amp. Our noise level is 82.3 dB quieter than 2 volts. Using an online calculator, that means that the noise produced by this amp is 0.00006918309709189363 times smaller than 2 volts, so it’s about 0.000138 volts. A little more math and that works out to 4.785 nanowatts.

Nope. That isn’t very much noise. And in most cases, you probably can’t hear it.

What if we work hard and find a below-average amplifier? Something with a S/N spec down around 70 dB? If we apply that math to our 2 volts of rated output, we get a noise level of 99.99 nanowatts. Yep, that’s a LOT more watts as compared to the previous example.

Clarifying the Mysterious Signal-To-Noise Ratio

If you look at an amp spec from more than about 10 years ago, or you see a number that is abnormally high, they may be rating the noise level using the maximum output capability of the amplifier as the comparing factor. If we measure an amplifier’s noise output level at 1 watt to be 85 dB, then you increase the amplifier’s output to 10 watts, assuming it doesn’t make any additional noise, the S/N ratio will be -95 dB. If the amp can produce 100 watts with no more noise, the ratio is now -105 dB. There are hundreds of amps that can produce 1000 watts – so that noise ratio measurement would now be -115 dB. When it comes to printing numbers on a gift box, in a brochure or publishing them on a website, being able to say that the S/N Ratio is -115 dB sure looks more appealing than -85 dB.

Signal-To-Noise RatioThe CEA-2006 specification established a standard set of guidelines for S/N Ratio noise measurement. The specification dictates that we measure the S/N Ratio compared to 1 watt of output into a 4-ohm load. A new specification is in the works that will help quantify the adjustment of the sensitivity setting on the amplifier during the measurement process. As it sits, the lower the setting of the amp, the better the S/N ratio measurement will be. Want to confirm this? Next time you are installing an amp, turn the system on with no signal connected to the amp and listen to the speakers. Then turn the amp gain up all the way. You will hear the noise level increase. Please turn the gain back down and shut the system off before proceeding.

Why is the Lack of Noise Important?

How can we quantify the desire not to add noise to our signal? Here is a simple analogy. If you purchased a TV in recent years, you may have heard the expression ‘blacker blacks.’ ‘Blacker blacks’ refers to how dark the screen gets when there is no signal. Blacker is better. When you think about your audio system, a ‘more negative’ S/N ratio means that the noise is quieter than the audio signal. We don’t want to listen to noise. -90 dB is better than -80 dB. Go it? Clear?

There are so many criteria to balance when choosing any car audio product. Power levels, efficiencies, distortion characteristics, features and functions all play an important role. Understanding the meaning of the S/N ratio measurement is very important. We don’t want ANY distortion or noise added to our music, but the laws of physics deny us that luxury. Do your best to choose products that, through careful design and choice of internal components, minimize these negative effects. Your local mobile electronics specialist can help steer you towards some amazing equipment. Drop in and check out what’s new.

This article is written and produced by the team at www.BestCarAudio.com. Reproduction or use of any kind is prohibited without the express written permission of 1sixty8 media.

Filed Under: ARTICLES, Car Audio, Classic Car Audio, RESOURCE LIBRARY

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